Universal Jedi

Although my gaming coverage has been frugal of late.

On January 23rd 2004 my review for Star Wars Jedi Knight: Jedi Academy was published on Inside Mac Games (IMG). Now, nearly three years hence, Aspyr is providing a Universal Binary at no additional cost to the consumer. Like Blizzard they should be applauded for embracing such an ideology.

Aspyr Media's promised Universal Binary update for Star Wars Jedi Knight: Jedi Academy has been released, giving owners of Intel Macs the chance to enjoy the popular action game. The patch also fixes network gaming and adds support for Apple's version of OpenAL, a 3D audio library.

In Jedi Academy players assume the role of a student who must choose between the light and dark sides of the Force while facing a new threat to the Jedi Order.

Here are the release notes for the patch from Aspyr:

• Jedi Academy is now a universal binary. Mods that use code DLLs will likely have to be rebuilt as Xcode-based universal binaries.

• The multiplayer app now disconnects from servers properly, and no longer forces you to quit and relaunch.

• Now uses Apple's version of OpenAL, which allows for true 3D audio.

I haven't played Jedi Academy for sometime. This might be the motivation I need to enroll for the Fall/Winter semester.

Super Sounds

In April 2005 I reviewed John Williams' Revenge of the Sith score. This morning a preview copy of the Superman Returns (merchandise link) soundtrack CD (pre-order link) fell through my mailbox courtesy of Rhino Records! The retail release is July 10th.

Expectations are nigh high! Would John Ottman's score rekindle the sense of wonder that this author experienced at the Exeter ABC Cinema (circa 1978)? Would my yearning for unabashed heroics transport me back to Boots Corner and take flight?

01 - Main Titles (3:49)

John Williams' iconic leitmotif, arguably one of cinema's greatest and most recognizable themes, returns with joyous gusto, aplomb and new flourishes. Christopher Reeves' memory has been served well.

02 - Memories (3:07)

After the jubilant opening salvo. This cue quotes from John Williams' original score before Ottman begins his enigmatic musical journey. Shades of Fortress of Solitude and Batman Returns (1992).

03 - Rough Flight (5:13)

Bernard Herrmann collides with John Williams heroics in a dazzling display of audio pyrotechnics.

04 - Little Secrets / Power of the Sun (2:49)

The original Love Theme is introduced albeit in troubled form!

05 - Bank Job (2:21)

In a post 9/11 world there's no reprise of John Williams' humorous March of the Villains. Owes much to the brutal mechanization of movie composers Jerry Goldsmith and Basil Poledouris.

06 - How Could You Leave Us? (5:49)

Conjures comparison with Edward Scissorhands (1990) and The Abyss (1989).

07 - Tell Me Everything (3:13)

Enter the Jedi! Feel the force.

08 - You're Not one of Them (2:22)

A solitary piano and yearning string section, which culminates in a choir. Ultimately left unresolved.

09 - Not Like the Train Set (5:12)

Urgency underpins the action with a nod to John Williams' abstract Close Encounters of the Third Kind (1977) soundtrack! Overcast by the shadow of Hugh Jackman's Wolverine (The X-Men).

10 - So Long Superman (5:31)

The main theme is deconstructed as discordant voices duel string and wind instruments. This orchestration is an evocation of Return of the Jedi (1983) and Revenge of the Sith (2005)!

11 - The People You Care For (3:27)

Batman (1989) confronts Darkman (1990).

12 - I Wanted You to Know (2:56)

Sentimental and poignant.

13 - Saving The World (3:12)

Does what it says on the tin.

14 - In the Hands of Mortals (2:11)

Melancholia meets enchantment.

15 - Reprise / Fly Away (4:15)

If this doesn't draw a tear... Life affirming.

In summation. I'm giddy from my sonic flight and can't wait to see the movie. Rejoice in the return of THE super hero! My deepest regret, listening to Superman Returns, is that my Mother will never be able to savor the sights and sounds of Krypton as she once did...

The son of Skywalker must not become a Jedi

At the moment I'm adding a new 'bag of tricks' to my portfolio site. To avoid the trammels of being spread too thinly, the next few posts will reprint my Inside Mac Games (IMG) reviews. IMG is always on the look out for new staff and, whilst there is no pay per se, you are guaranteed free games, DVDs and other cool collectibles.

Jedi Knight: Jedi Academy (Mac port)
In January 1978 at the age of five my world was changed forever by an inaugural encounter with the cinematic realm. The film in question was Star Wars and, like fellow members of Generation X, I’ve followed the series in its multitude of media incarnations, from books to toys. However, video games remain the fondest forum since the early Atari coin-ops.

Jedi Academy is the second sequel to Jedi Knight and rapidly follows in the wake of Jedi Knight II: Jedi Outcast. And, as such, is the third installment. The speed of the game’s port, to the Macintosh platform, is indicative of the timely talent of Aspyr Studio and the insatiable appetite of Mac gamers for original and licensed product. The most pertinent question on many gamers’ minds is: will it suffer from trilogy exhaustion?

Graphics
The graphics are augmented by Raven Software’s code enhancements. The sumptuous visuals belie the Quake III game engine’s four-year age! Rain super heats as it falls onto a striking light saber and the character animation is suitably smooth and fluid even on modest hardware (this review was conducted on an 800 MHz iMac G4 with 512 MB RAM). Close combat has not witnessed such balletic battles since Darth Maul cartwheeled onto celluloid in The Phantom Menace (1999).

Sound
The sound design is unquestionably of a pedigree deserving of the title’s roots. My review sessions were monitored using JBL Creature speakers, which rendered an involving and detailed three-dimensional sound stage replete with the familiar sounds of a galaxy far, far away. I lamented being unable to savor the delights of a 5.1 mix, however. Where would a Star Wars adventure be without the familiar underscores of John Williams’ familiar (if overused) leitmotifs? No longer used in their original cinematic context, here his orchestrations inform your journey to become a Jedi.

Gameplay
In this outing Kyle Katarn (who made his first appearance in the legendary Dark Forces) is no longer the principle protagonist and acts as mentor alongside Luke Skywalker. Instead the game designers adroitly avoid any tenuous contrivances and invite you to create a new character from scratch albeit one who goes by the fixed name of Jaden Korr. The inevitable Sims (no it’s not Skywalker Family Ties) comparison cannot be ignored, but doesn’t detract from the short-lived novelty of deciding gender, species and light saber type (later stages allow for the wielding of two light sabers and Darth Maul’s infamous double-bladed light saber).

During the early stages of Jedi Academy, as you investigate the whereabouts of Luke's missing journal, the missions allow you to hone and enhance your Jedi powers before the saga starts gaining momentum. In between levels you get to choose between Light and/or Dark Force powers and either Choke or confuse your opponents with Mind Trick. The decisions you make delineate character, which is a neat twist and one that leads to a choice culminating in two possible endings.

The decision to provide the light saber from the outset was an inspired one – you now get what’s on the box – instant gratification. The galaxy-spanning missions take in the sights and sounds of Yavin 4, Tatooine and the derelict Rebel Base on Hoth.

Friends and old enemies return to assist or impede your path. Incidentally, I took great delight in confronting Bucket Head (fans will know who I am referring to)! And utilizing mounts i.e. Tauntauns adds an arcade aspect to the title.

The multiplayer section is undoubtedly the most compelling facet of Jedi Academy. Alongside the obligatory Capture the Flag and Free For All is Siege. The brand new Siege mode takes it cue from Wolfenstein's class-based objective mode and involves co-operative play. This allows for tremendous strategic scope and success will be determined by the abilities of the team. From Duel and Power Duel to the Siege mode – even the most jaded multiplayer veteran should find something to satiate their needs.

Conclusion
Jedi Academy lacks a compelling narrative; dramatic pace is thwarted by a non-linear mission interface. And the title gravitates more towards Beverly Hills 90210 or Dawson's Creek sans angst - will the kids ever graduate?

Although one can make an ideological choice between the Light and Dark side of the Force, the consequences are bereft of any deep emotional resonance. This is no Greek tragedy. On an entirely subjective note, the temptations of the Dark side can be overwhelming and brandishing a red double-bladed light saber is supremely seductive!

The play experience lost some of the anticipated luster due to stuttering frame rates in the first patch (1.0.1a) for the single-player edition. Programmer Brad Oliver rapidly addressed this issue and it is strongly recommended that you apply the most recent patch (1.0.1b). This should solve matters for Mac OS X 10.3.x Panther users. However, I didn’t have a copy of Mac OS X 10.2.x Jaguar to perform a comparison test.

The Jedi Academy bonus multiplayer maps extend the game’s life cycle. The addition of a level from Ord Mantell (referenced in The Empire Strikes Back and further explored in the comic strip serial by Archie Goodwin and Al Williamson) should bring a smile to the face of any fan – it’s where Han Solo encounters one of Jabba The Hutt’s notorious bounty hunters.

Whilst this is the perfect primer while we wait for the Macintosh port of Star Wars Knights Of The Old Republic, it remains to be seen whether or not there is any life left in the Jedi series. However, for sheer kinetic fun adorned in the furnishings of the Star Wars franchise, you’d be hard pressed to ignore the emotive thrill of brandishing two light sabers at once and the ensuing Stormtrooper decapitations!

Gameplay: 7
Graphics: 8
Sound: 9
Value: 7

Overall score: 7.75 (out of 10)

Whoa, that was like a... Jedi moment

The following, exhautive, review is based on the R1 release of Lost Season 1.

Disc 1 (2:48:39)
Pilot - Part 1 (42:13) 
Pilot - Part 2 (40:17)
 Tabula Rasa (43:27) 
Walkabout (42:42)



Disc 2 (2:51:38)

White Rabbit (42:30) 
House of the Rising Sun (42:44) 
The Moth (43:14)
 Confidence Man (43:10)



Disc 3 (2:51:13)
Solitary (43:08)
 Raised By Another (42:45) 
All the Best Cowboys Have Daddy Issues (42:08)
 Whatever the Case May Be (43:12)



Disc 4 (2:51:24)
Hearts and Minds (43:17) 
Special (43:15) 
Homecoming (41:36) 
Outlaws (43:16)



Disc 5 (2:52:01)

In Translation (43:02)
 Numbers (43:06)
 Deus Ex Machina (42:39) 
Do No Harm (43:14)



Disc 6 (3:34:43)

The Greater Good (43:15) 
Born to Run (43:14) 
Exodus, Part 1 (43:16) 
Exodus, Part 2 (1:24:58)

Video

Unlike the US 4:3 broadcast (only available in widescreen for HDTV consumers), Channel 4 is airing Lost in its original 16:9 aspect ratio. The DVD retains the 1.78:1 formatting and eclipses the PAL standard definition picture with 480p (compatible television required). The transfer is so vivid that it’s easy to forget that you’re looking at a screen. The image pops and colors are luxuriant.

Audio

The perfect presentation is not exclusively limited to sight. The sounds of the island are all encompassing. My Kef 5.1 speaker setup heightened the tension to such a degree that there were times when it became almost unbearable (check John Carpenter’s The Thing or Jurassic Park for comparison). The audio mix would be worthy of Skywalker Sound's Gary Rydstrom.

Extras
Often dubbed as "bonus features," "special features" and "added value", for many DVD consumers they're a compelling reason to buy a DVD set. The Mouse House has come a long way since those first, faltering, steps with Warner Home Video. A time when "special features" were anything but, and consumers should have sued for compensation.

Commentary Tracks
Pilot Parts 1 & 2 - Executive producers J.J. Abrams, Damon Lindelof and Bryan Burk
Walkabout - Executive producer Jack Bender, Co-executive producer David Fury and Terry O'Quinn (Locke)
 The Moth - Damon Lindelof, Bryan Burk and Dominic Monaghan (Charlie)
 Hearts and Minds - Executive producer Carlton Cuse, supervising producer Javier Grillo-Marxuach, Maggie Grace (Shannon) and Ian Sommerhalder (Boone).

The Genesis of Lost (8:40)
The tale of how Lost became a TV show. This featurette includes interviews with executives from ABC, and the producers of the series.



Designing a Disaster (7:59)
How did they construct one of the most incredible series openings of all time?

Before They Were Lost (22:55)
The formation of the cast as told by JJ Abrams, Damon Lindelof, April Webster (casting director), Bryan Burk, and the crew. There are lots of audition tapes included in the featurette, and you can watch the entire tape in...



Audition Tapes (23:34)

Audition tapes for the cast members. Matthew Fox (3:31), Evangeline Lilly (2:53), Dominic Monaghan (1:16), Naveen Andrews (2:01), Yunjin Kim (1:10), Daniel Dae Kim (0:46), Josh Holloway (1:20), Jorge Garcia (1:57), Ian Somerhalder (1:36), Maggie Grace (1:48), Harold Perrineau (1:35), Malcolm David Kelley (1:22) and Emilie de Ravin (2:19). These are pretty interesting, especially because there are things that didn't make it into the show, or actors are auditioning for different characters.



Welcome to Oahu: The Making of the Pilot (33:20)
Self explanatory and artfully leveraging the DVD medium a la Peter Jackson's Lord of the Rings trilogy.

The Art of Matthew Fox (6:07)
When watching Party Of Five, it was clear that there was an inherent sadness in Matthew’s studied performance of Charlie and one that may or may not be autobiographical. This feature arguably lends further credence to my observation! I hope his photographic endeavors touch you as deeply.

Lost @ Comicon (1:50)

The cast and producers headed to Comicon last July where they debuted the pilot. Now this looked like fun unlike Bournemouth’s Excalibur.

Lost: On Location (43:42)
A few featurettes that focus on an episode, or a single aspect with shooting it. The Trouble With Boars (5:19), House of the Rising Sun (7:19), Confidence Man (4:24), All the Best Cowboys Have Daddy Issues (4:56), Whatever the Case May Be (2:58), Hearts and Minds (6:20), Special (3:05) and Exodus (9:21).



On Set With Jimmy Kemmel (7:15)
Kimmel visits the set of Lost. This had me in stitches and the ‘monster reveal’ culminated in hyperventilation!

Backstage with Driveshaft (6:40)
Dominic Monaghan talks about "Driveshaft," and the "hit" song that they sang. The producers explain the idea behind the song, and how it was recorded.

The Lost Flashbacks (4:35)
A couple of flashbacks that weren't shown on TV, which makes them "Lost Flashbacks" and not "Lost Flashbacks." I really enjoyed the Claire flashback. At the Airport: Claire (3:07)
 At the Airport: Sayid (1:28)



Deleted Scenes (14:41)
There are 13 deleted scenes from the first season.



Bloopers from the Set (4:17)

Live from the Museum of Television & Radio (10:56)
The chemistry between the cast and crew is palpable, and it’s a genuine shame that this was only an appetizer.

Scriptscanner

If you have a PC you can read the script to the pilot episode while it plays.

Sneak Peeks (14:22)
Trailers for movies and TV shows can be found in this section. The Lion, The Witch and the Wardrobe looks enchanting, and maybe the movie of the year for me. There are trailers for The Chronicles of Narnia (2:33), TV on DVD (1:56), Lost Season 2 - spoiler free! - (0:32), Alias Season 4 (1:19), Desperate Housewives Season 1 (0:32), The Hitchhiker's Guide to the Galaxy (2:25), Scrubs Season 2 (1:33), Dark Water (2:33) and Jimmy Kimmel Live (0:59).

Easter Eggs (1:58)

Alternate Main Title Sequence (0:22) – Just terrible and evokes the X-Files opening titles. Want to find it? Put in disc seven, go to "Tales from the Island" and press left twice, then enter.

Locke and the Orange (1:36) - Want to find it? Select "Tales From the Island" on Disc 7, then highlight "Main Menu," press right, and then enter.

In summary
When you have the collective talents behind Alias, Buffy, Angel and Batman: The Animated Series how can you go wrong?

Theories regarding how the Sydney to LA Oceanic flight crashed are as abundant as they are diverse. Are the passengers dead and struggling to make peace with their past lives before moving on or is it The Truman Show meets Survivor? Whatever. Discuss by all means. But, as my Media Studies tutor once said – the journey is often far more interesting than the destination!

There’s a liberal sprinkling of Star Wars and Star Trek in-jokes set against a Planet of the Apes backdrop. Hurley's "Dude" manages to remain humorous and so revealing of the character - a gentle giant a la Chewbacca. And then there's Sawyer who immediately reminded me of Solo - I couldn't stop grinning at the lines including "Princess", "Sulu" and "I'm a complex guy!" And John Locke's character resonates as I'm a paraplegic due to a serious head injury in first school - a classmate was pushed into me. And, yes, I was in a wheelchair...

The inaugural season of Lost is the finest DVD presentation of a television series I’ve viewed since purchasing my first Sony DVD player in 1998. Yes, it really is that good. This is a seminal seven-disc treatment and only Battlestar Galactica (2004) can take the edge off withdrawal symptoms.

Energon Cube Redux

I think I maybe coming down with a cold. However, couldn't let this cool collectible news pass by without comment:

The Star Wars Transformers line has been confirmed at BotCon today. There are eleven of them planned for 2006 starting in January, available as a play pack. An X-Wing and a "Boba Fett ship" (probably the Slave I) have been confirmed by name only. Here's the possible full list:

Luke Skywalker / X-Wing Fighter
Darth Vader / TIE Fighter
General Grievous / Wheel Bike
Obi-Wan Kenobi / Jedi Starfighter
Boba Fett / Slave 1
Darth Maul / Sith Infiltrator
Anakin Skywalker / Jedi Starfighter
Snowtrooper / AT-ST
Clone Trooper / ARC-170 Fighter
Emperor Palpatine / Star Destroyer
Jango Fett / Slave 1

It will have no bearing on the continuities of either universe. Additionally, Hasbro plans to release Transformers Attacktix, which will be game-compatible with the Star Wars figures.

So, nearly two decades on and my suggestion has come to fruition!

The Power of the Dark Crystal

Perusing the latest Dreamwatch magazine, I was delighted to note that the first sequel to The Dark Crystal (1982) is in production. This will form the foundation of a new franchise.

Jim Henson's original opus, inspired by the works of Brian Froud, enthralled me as a young child. However, that first fateful viewing at the ABC Cinema was a little too intense - Garthim and Skeksis anyone? Rediscovering it in 1999 I was beguiled by its lyrical beauty once again!



Synopsis taken from the novel The Dark Crystal by A.C.H. Smith:

In a faraway world a mighty astronomical event is about to occur, the Great Conjunction of the planet's Three Suns. At this time, the cruel Skeksis who rule this world from the castle of the Dark Crystal are frightened to learn that an ancient prophecy may be coming true: A survivor of the Gelfling, an elfin race they thought they had destroyed, is seeking to restore the missing shard of the Dark Crystal before the moment of the Great Conjunction, thus ending the tyranny of the Skeksis. Hidden in the valley of the urRu, young Jen the Gelfling has been raised by a tribe of mystics and knows little of the world outside, but know his Master's dying words have charged him with his mission to find the lost shard before it is too late. Traveling through many strange places and encountering many extraordinary beings, Jen races against time to unravel the mystery of his quest and save his world from the forces of evil.

The adventures of Jen and Kira outshone the Muppet antics of Return of the Jedi (1983). The latter was derided by Starlog magazine for blatantly reprising the former's mythological narratives. It's debatable that this was deliberate and certainly the comparisons are inescapable, but The Dark Crystal treats its target audience with greater intelligence.

The inevitable soundtrack score by Trevor Jones, which I still own on single vinyl LP, deserves masterpiece status. John Williams referenced its textured sounds in Revenge of the Sith (2005). As an amusing aside, I fondly recall playing with Masters of the Universe action figures whilst listening to The Dark Crystal Overture.

The Froud's, Brian and Wendy, often frequented my Mother's clothing store in Exeter and would insist that she served them. Wendy Froud's most famous puppet sculpt isn't ashamed of being green. Master Yoda. Love the Star Wars connections that criss-cross my private life.

Hollow Pursuits

Quake 3 game engine titles were overstocked in Exeter's Comet store. I grabbed shrink-wrapped copies of Star Trek: Elite Force II and Jedi Knight II: Jedi Outcast from the sale bin!

Elite Force II has proved popular in the Hood household. Against my better judgment, the notion of engaging Romulans, Borg et al in savage battle is cathartic and evokes memories of ST:TNG S1 to S3. The franchise translates to the FPS genre with relative ease aided by sterling performances from the original cast. The seamless cut scenes (rendered using the game engine) mimic the cinematography of First Contact, Aliens and Die Hard. The only distraction (and biggest gripe) are the interminable load times, which dilute the pace and drama. Next Saturday I'll shop for Star Trek Voyager: Elite Force and Black & White (including Creature Isle expansion pack).

Episode 11 of Doctor Who S1, Boom Town, was a pleasure to watch. And the trailer for episode 12, poking fun at 'reality and general knowledge shows', was fantastic! Did anyone say Daleks?

Tomorrow WWDC 2005 starts. New iPods and iBooks are a given. Without the distraction of 10.5, 10.4 will receive the attention it richly deserves and is Intel really coming to a Mac near you? In the words of Captain Jean-Luc Picard "Lets see what's out there" (Encounter at Farpoint Part 2).

Palpatine's press

National press coverage of Revenge of the Sith has reached epidemic proportions on VE Day! From CD-ROM to DVD and glossy poster pack-ins. Gotta Catch’em All!

Star Wars: A Musical Journey is the realization of George Lucas' silent movie DNA.

Chapter 1: A Long Time Ago ("20th Century Fox Fanfare" / "Star Wars Main Title" from all of the films)

An arrangement of the iconic score that tails off cryptically.

Chapter 2: Dark Forces Conspire ("Duel of the Fates" from The Phantom Menace)

The score that became synonymous with Darth Maul and his infamous double-bladed lightsabre. Repeated viewings fail to dissipate the kinetic energy of this apocryphal clash.

Chapter 3: A Hero Rises ("Anakin's Theme" from The Phantom Menace)

This leitmotif is, unquestionably, my favorite from the prequels. Fatefully I was listening to this when news reached me of the passing of a loved one in 1999.

Chapter 4: A Fateful Love ("Across The Stars" from Attack of the Clones)

A beautiful lament. Only the "Sound of Music" scenes detract. Lucas missed a beat here, what if Anakin had been injured during an apparently tranquil moment?

Chapter 5: A Hero Falls ("Battle Of The Heroes" from Revenge of the Sith)

Any lingering doubts that I may have had fell away during this dark onslaught.

Chapter 6: An Empire Is Forged ("The Imperial March" from The Empire Strikes back)

Inform the commander that Lord Vader has arrived.

Chapter 7: A Planet That Is Farthest From ("The Dune Sea Of Tatooine" / "Jawa Sandcrawler" from A New Hope)

A bland visual accompaniment.

Chapter 8: An Unlikely Alliance ("Binary Sunset" / "Cantina Footage" from A New Hope)

Anakin and Luke are counterpointed.

Chapter 9: A Defender Emerges ("Princess Leia's Theme" from A New Hope)

As a starstruck child I was smitten with Carrie Fisher. To point out that I innocently colorized a black and white drawing of Princess Leia (from the Star Wars Grandreams annual) would be too much information!

Chapter 10: A Daring Rescue ("Ben's Death / Tie Fighter Attack" from A New Hope)

The call to action is irresistible, but the visual narrative pace stutters all too quickly.

Chapter 11: A Jedi Is Trained ("Yoda's Theme" from The Empire Strikes Back)

Yoda as puppet (Muppet supreme) equates to 'real emotions' that are devoid in the painterly CGI.

Chapter 12: A Narrow Escape ("The Asteroid Field" from The Empire Strikes Back)

Asteroids collide in the unsurpassed Millenium Falcon pursuit. Less is more.

Chapter 13: A Bond Unbroken ("Luke And Leia" from Return of the Jedi)

Too touchy feely!

Chapter 14: A Sanctuary Moon ("The Forest Battle (Concert Suite)" from Return of the Jedi)

Care Bears and Howard the Duck's bastard offspring unite. Turn off the screen, turn up the sound.

Chapter 15: A Life Redeemed ("Light Of The Force" from Return of the Jedi)

A poignant reminder of the tragic Skywalker legacy. The final shot of a young Anakin is haunting.

Chapter 16: A New Day Dawns ("Throne Room / Finale" from A New Hope)

Lump in the throat time!

Signature scores are further embellished within a 5.1 Skywalker sound stage, and the only distraction is occasional dialogue and incoherent use of episode chronology. Ian McDiarmid introduces each chapter and, by the close, appears genuinely moved (as was I). Sony Classical has my admiration and thanks for including this free disc in the CD jewel case.

Fisher-Price

Comparing screen shots of Panther and Tiger it is very noticeable that Tiger's GUI is brighter and evokes Windows XP! In a couple of weeks I'll be better placed to make an informed judgment.

My Revenge of the Sith CD has been on repeat play (almost) since Monday. Churlish critics will cite that Williams too blatantly quotes himself. Here, in descending order, are my favorite Star Wars soundtracks:

1). The Empire Strikes Back
2). Revenge of the Sith
3). A New Hope
4). The Phantom Menace
5). Return of the Jedi
6). Attack of the Clones

AOTC ranked lowest because unaltered orchestrations from TPM were inserted late in digital post production; George Lucas can make changes almost up to the minute of theatrical release, John Williams is ostensibly scoring an 'unlocked' print, which may explain the thicker textures to the prequel scores!

Hasbro's ROTS Darth Vader arrived today and is the best sculpture yet!

A Cosmic Copland

My first vinyl album was the original Star Wars (1977) soundtrack. Last evening I had the unbridled pleasure of listening to the Revenge of the Sith CD prior to its May 2nd release. What follows is the raw and unrefined first impression of a fan bereft of any objectivity.

01 - Star Wars and The Revenge Of The Sith (7:31)

The signature theme (taken from an existing recording) ambitiously segues early into the battle above Coruscant, and the daring rescue of Senator Palpatine from the clutches of Count Dooku. This is the most compelling transition since The Empire Strikes Back (1980).

02 - Anakin's Dream (4:46)

Anakin’s fate is unknown. In shades of Schindler's List (1993), Across The Stars is performed underneath a viola and harp solo. Portentous strings interrupt this harmonious (and enigmatic) moment and the suite takes a darker direction as an embattled Force Theme struggles to emerge from beneath dissonant orchestrations.

03 - Battle Of The Heroes (3:42)

An emotional and sweeping choral/waltz punctuated by an incomplete rendition of the Force Theme. The opening evokes Danny Elfman’s score for Batman (1989), which was in itself gloriously derivative. A quodlibet to The Phantom Menace's (1999) Duel Of The Fates.

04 - Anakin's Betrayal (4:04)

The balance of the force is in flux.

05 - General Grievous (4:07)

Obi-Wan buys a single day pass to Jurassic Park!

06 - Palpatine's Teachings (5:25)

In a style reminiscent of Trevor Jones’ composition for The Dark Crystal (1982), Williams explores the seduction/deception of Anakin by the Master of the dark side.

07 - Grievous and the Droids (3:28)

Drawn from TPM's Trade Federation leitmotivs.

08 - Padme's Ruminations (3:17)

The Return of the Jedi’s (1983) darkest moments are revisited within the framework of Minority Report's (2002) ethereal female vocals.

09 - Anakin vs. Obi-Wan (3:57)

Starting with a blustering reprise of Battle Of The Heroes, the score reintroduces Darth Vader’s theme (as performed during the Bespin duel). Elements from ESB are interwoven into the new material with chilling and startling results - sonic flourishes shadowing the action.

10 - Anakin's Dark Deeds (4:05)

John Williams joins forces with Howard Shore.

11 - Enter Lord Vader (4:14)

A reflective montage; from the pomp and circumstance of Naboo to Across The Stars, Anakin’s Theme and… Lyrical poetry.

12 - The Immolation Scene (2:42)

Haunting. Williams conjures the atmosphere of the main themes from A New Hope (1977).

13 - Grievous Speaks to Lord Sidious (2:49)

Harry Potter at play.

14 - The Birth Of The Twins and Padme's Destiny (3:37)

Across The Stars is followed by a majestic reprise of Qui-Gon’s Funeral Theme.

15 - A New Hope and End Credits (13:06)

Luke and Leia breathtakingly usher us towards the end of the beginning.

In conclusion. This is, at times, a mildly jarring composition (editorial haste?). John Williams’ ROTS soundtrack lacks the ‘analog magic’ of the original trilogy recording sessions, favoring flawless digital brush strokes inherent in the production of the prequels. But none of this ultimately detracts from what is highly emotive listening.

During the CD listening session (JBL monitors) I referenced a copy of The Making of Star Wars: Revenge of the Sith -- The Final Chapter. The diary recording of John Williams' ideological approach to movie scoring informed the listening experience immeasurably.

The sonic saga is complete and will be long remembered. Thank you John (and Mum for buying me that vinyl album a long, long time ago).

Making the World Smile

Revenge of the Sith merchandise is now flooding retail aisles across the globe! Anakin's Jedi Starfighter arrived yesterday and I've already ordered (from Toys "R" Us*) assorted LEGO pieces, BARC Speeder, Grievous' Wheel Bike, ARC-170 Fighter, AT-RT, Monopoly, Risk and Star Wars Trivial Pursuit DVD. Movie Market is now selling gorgeous prints. Not to mention that Battlegrounds debuts on the Mac very soon. Collectors can stay up-to-date here.

In the UK Palitoy distributed Kenner's Star Wars action figures and accessories. When I wasn't playing with toys I drew new ones and sent them to the company's Coalville HQ in Leicester. Although Palitoy could not accept my unsolicited submissions, I was always rewarded with posters and action figures.

Hasbro purchased Kenner in 1991 (the brand has all but disappeared) and I was interviewed for a Mac-based product packaging designer post (within their interactive division) in 1999. Hasbro's UK office, located in Stockley Park (near to Apple Computer), is plush. I never got beyond the first interview stage (sans Photoshop test), but Hasbro paid my traveling expenses and, believe me, that's rare. In 2001 Hasbro Interactive was purchased by Infogrames (Atari).

[*In the 1980s a Toys "R" Us opened in Bristol (off Junction 17). My first purchase was a copy of Atari's Star Raiders (the pack-in included a Video Touch Pad for the VCS 2600). For some obscure reason my recollection of playing Star Raiders, reading DC Comics and watching Hart to Hart at my Granmother's house are inseparable!]

Enemy at the Gates

Castle Wolfenstein (1983) was originally released for the Atari XL and Commodore 64 by publisher Muse Software. id Software purchased the rights to use the name and released seminal FPS Wolfenstein 3D (1992). The first sequel, Return to Castle Wolfenstein (2002), ensnared me with its pulp Sci-fi/Nazi mythology and dark atmosphere. Now id/Splash Damage/Aspyr has ported Wolfenstein: Enemy Territory (2003) to Mac OS X. Originally planned as an expansion pack for RtCW, ET is a free multiplayer online FPS (sans bots).

After downloading ET (258MB standalone installer includes PunkBuster and does not require a commercial copy of RtCW to run) I leapt online and started playing the "Dora" Rail Gun map. Dora was the largest artillery gun built during WWII and its purpose was to pummel defenses during Operation 'Barbarossa', but did not see active service until 1942. The Rail Gun campaign sees Axis players defend and man the Dora as it begins bombardment of a nearby city. Allied forces are charged with blowing up the track and gun before the first shot is fired. The abundance of crystalline detail, fluidic animation and sound surpasses even Raven's Jedi Academy Quake 3 engine modifications. Now if only there was a Rachel Weisz avatar!

Improvements in ET will filter down to RtCW (Mac client) in a future patch. Therefore I'd encourage any Mac gamer, who doesn't own RtCW, to grab a copy.

Requiem for a Dream

Growing up my aspirations diverged from "learning the ways of the force" and time traveling to video game author and Grammy-winning performances. Yet the desire to act and perform overarched everything.

In 1983 I was selected to audition (along with other hopefuls from around the South West region) for a place at a prestigious acting school. Due to very poor planning, on the part of my school, the day turned into an unmitigated disaster and the schedule went askew. Our audition piece, performed at Exeter's Northcott Theatre, would have been savaged by Simon Cowell and Paula Abdul! I had prepared a solo set reciting HG Wells' The War of the Worlds and instead was instructed to mimic a tree. A conciliatory weekend placement was offered to selected students who showed promise - one of whom had the propensity to burst into tears when they'd forgotten their lines. I felt slighted, but nothing that a new Star Wars Return of the Jedi action figure couldn't fix! Biker Scout, I salute you.

During High School, under the aegis of Mr Burton (no relation of Richard or Tim), my passion for drama class flourished. Regrettably, he decided to change schools and his successor drove out any sense of enjoyment and I dropped out. A few years later my Dad would meet Mr Burton, in Torbay, who had assumed that I had continued with acting. And learnt that this was not the case.

In 1990 whilst at College I formed a Pop/R&B band - Def Track - as part of a Media Studies project concerning the music industry. During the coach ride to and from London's V&A (I was also studying A-Level Fine Art) I co-wrote "Don't Judge A Book By Its Cover". We recorded the song, promo video and prepared marketing materials (using MacDraw) ourselves. At the suggestion of our Media Studies tutor I wrote further songs for a possible EP (for submission to local radio stations). However, during the summer my work was stolen or mislaid and there was no backup other than a skeletal arrangement stored on an Amiga A500.

I acted in a University studio project (1993) and was required to show a complete lack of interest in the main protagonist. This wasn't too difficult a leap as I found the person, in question, unpalateable at best. It was noted that my performance was very effective and made ingenious use of a newspaper (a metaphor for the barriers in our relationship)!

My claim to fame is as a background extra on BBC Radio Four's The Gemini Apes (1998). However, acting has not lost any of its allure and one day I'm hoping for a reprise.

Do what must be done

After watching the Revenge of the Sith trailer online and on UK television. The standout moments include:

*Palpatine's manipulation of Skywalker
*Skywalker leading the Jedi massacre
*Mace Windu's ill-fated confrontation with Palpatine
*Wookies
*Blockade Runner

Next week I'll post signature stills from the trailer (one of which will be adapted for my review section). For now, here's a screenshot taken from Sega's Galaxy Force II (1989) coin-op.



Notice how the ship on the left looks like a TIE-Fighter and the planetary setting could be Mustafar, where Darth Vader battles Obi-Wan Kenobi.

Nintendo DS goes on sale in the UK from today.

New PALz On The Block

Another commercially-fueled Valentine's Day. I hesitate to repeat what I, infamously, said to a friend a few years ago! However, it was a most pleasant surprise to receive Buffy Summers in the post! Albeit in her PALz incarnation. A big thanks to my friend Michael for the belated birthday gift. You do appreciate that I'm now obligated to collect the entire S1 and 2 sets.

Macally's iShock II arrived (at 8:00AM to be exact) courtesy of Apple. Looking forward to Plug and Play fun with MacMAME later today.

Have you seen any of the Revenge of the Sith merchandise? It all looks mouthwatering and I've no idea where to start! Darth Tater, Anakin/Vader or Anakin's Jedi Starfighter? Answers on a postcard.

I'm off to watch Newlyweds. Its depiction of solipsism is addictive.

Somewhere Over The Rainbow

Here's a VoIP client worth downloading! Skype (available in all popular OS flavours) allows users to chat and transmit files across a global network. Amusingly the Skype icon colours vary a la Skittles! Sign-up and if you're ever in the mood for a chat my user name is jrhood. Don't be a stranger.

It's official! I'm now excited about Revenge of the Sith! Last November the teaser trailer met with mixed reaction. It was difficult to muster much enthusiasm after the breathtaking Lord of the Rings trilogy. Yet, today, whilst walking past Exeter's Argos store, a sold-out flyer for Anakin's awesome Jedi Starfighter caught my eye. I've now ordered the Art of Star Wars Episode III and Visual Dictionary. The superlative production values of both book series for Episodes I and II are yet to be surpassed. If you thought the merchandising for The Phantom Menace was extensive, you ain't seen nothing yet. Master Soda please pass me a Pepsi.

Can't wait for Ridge Racers on PSP. Ridge Racer and Battle Arena Toshinden were the first two games I ever played on the PlayStation (Japanese import, 1995). That evening the latter's final boss had deadlocked a group of friends. To the chagrin of all those gathered, in button-bashing style I perfected Gaia twice on my first attempt - the vision of that Demon tumbling off the arena edge, and into fiery oblivion, left an indelible impression on us all. Back at University a disagreeable house mate acquired a PAL console and Sony's seduction was complete.

Sony has yet to announce full plans for the European launch of PSP. Given Nintendo's aggressive price point for DS, hopefully Sony will only offer the "Value Pack" option. I'm not shy to admit that the PlayStation Portable promises to be the most compelling consumer electronics product since the iPod (2001).