Candy Girl

I have to profess that Hard Candy is my favourite Madonna album since Ray of Light (1998)! That said, she's pretty much guest starring on cool cuts produced by Timbaland, Neptunes and friends! At times Madonna sounds like Timbaland muse Nelly Furtado and one-time rival Paula Abdul on Candy Shop!

Hard Candy is more a sequel to Justin Timberlake's awesome Future Sex / Love Sounds, which, in my view, is a good thing, even if it doesn't push the envelope and Madonna is a trend follower in this instance!

Is Hard Candy as good as Mariah Carey's blockbuster E=MC²? I'd suggest not!

Blame It On The Boogie

In 1990 a Media Studies assignment, the music industry, resulted in the brief formation of my Pop/R&B band - Def Track - when I co-wrote "Don't Judge A Book By Its Cover". The band members were Shane Johnson (lead vocals), Jamie Smith (backing vocals and bass) and myself (backing vocals and keyboard).

Don't Judge A Book By Its Cover (MP3), inspired by a verse from Bros’ Life’s A Heartbeat (The Time album), was recorded at Exeter College’s Bishop Blackall annexe to the chagrin of the music department! How dare media studies students display creative versatility and ungraciously use the main studio to produce commercial material! At the time Paula Abdul, Bros and New Kids On The Block dominated the transatlantic airwaves.

At this point it wouldn’t be churlish to reveal that, aside from a few minor ad-libs from the lead vocalist, I single-handedly wrote the lyrics and take the blame myself.

The song was exclusively recorded using electronic keyboards, bass and drums (mixed using a Commodore Amiga A500) in homage to Michael Jackson’s Bad album, which was clearly influenced by synthpop producers Trevor Horn and Giorgio Moroder.

The arrival of Savage Garden, in the late 1990’s, sparked a resurgence in the synthpop genre and the track's production stands up to comparison with their debut. Darren Hayes are you listening?

Originally the group (self-managed to avoid pitfalls) wanted to submit a 4 song demo EP entitled Facade to radio stations such as Atlantic 252. However, it never came to pass. So, via the magic of the internet here's Def Track's breakthrough single that never was.

Captain N: The Game Master

The title of this post, and its intrinsic camp value, refers to the live action/animated series, which ran for three seasons and was broadcast on ITV between 1989 - 1992. If memory serves correctly the show was a vehicle to blatantly promote the latest Nintendo video game releases and included appearances from popular properties Link (Zelda) and Simon Belmont (Castlevania).

In the '80s you could start your day by waking up in your Nintendo-themed sheets, wash your hair with Super Mario shampoo, eat Mario & Zelda cereal, and go to school with your Nintendo backpack. How times have changed. Did someone say Harry Potter?

Last Thursday I unpacked a shiny new platinum and black limited edition Nintendo GameCube. You know, the livery emotes sophistication and it's fun to posit whether or not Big "N" should have adopted this color scheme at the console's launch in 2002?

Aside from the glaring omission of a 251 Slot Memory Card from the bundle. I'm delighted to be reunited with Mario, Pikmin and Zelda franchises once again. This time for keeps. Viva la Revolution!

Discovered Galaxy FM. Anyone with a passion for Dance/R&B should listen (digital receiver required). The first song played was Opposites Attract (Paula Abdul featuring MC Skat Cat). The College memories.

Dress You Up

In the '90s Paula Abdul and Michael Jackson signed lucrative celebrity endorsements with LA Gear. At the time college friends encouraged me to produce bespoke graphics for t-shirts. Over a decade on, I'm proud to introduce my very own clothing line and accessories! Well, sort of.



Be sure to check back as I add more products for the holiday season.

Still mulling over whether or not you should put an Xbox 360 on Santa's list? Better be quick as Amazon UK's dispatch date continues to slip (and I pre-ordered mine a couple of weeks ago).

Requiem for a Dream

Growing up my aspirations diverged from "learning the ways of the force" and time traveling to video game author and Grammy-winning performances. Yet the desire to act and perform overarched everything.

In 1983 I was selected to audition (along with other hopefuls from around the South West region) for a place at a prestigious acting school. Due to very poor planning, on the part of my school, the day turned into an unmitigated disaster and the schedule went askew. Our audition piece, performed at Exeter's Northcott Theatre, would have been savaged by Simon Cowell and Paula Abdul! I had prepared a solo set reciting HG Wells' The War of the Worlds and instead was instructed to mimic a tree. A conciliatory weekend placement was offered to selected students who showed promise - one of whom had the propensity to burst into tears when they'd forgotten their lines. I felt slighted, but nothing that a new Star Wars Return of the Jedi action figure couldn't fix! Biker Scout, I salute you.

During High School, under the aegis of Mr Burton (no relation of Richard or Tim), my passion for drama class flourished. Regrettably, he decided to change schools and his successor drove out any sense of enjoyment and I dropped out. A few years later my Dad would meet Mr Burton, in Torbay, who had assumed that I had continued with acting. And learnt that this was not the case.

In 1990 whilst at College I formed a Pop/R&B band - Def Track - as part of a Media Studies project concerning the music industry. During the coach ride to and from London's V&A (I was also studying A-Level Fine Art) I co-wrote "Don't Judge A Book By Its Cover". We recorded the song, promo video and prepared marketing materials (using MacDraw) ourselves. At the suggestion of our Media Studies tutor I wrote further songs for a possible EP (for submission to local radio stations). However, during the summer my work was stolen or mislaid and there was no backup other than a skeletal arrangement stored on an Amiga A500.

I acted in a University studio project (1993) and was required to show a complete lack of interest in the main protagonist. This wasn't too difficult a leap as I found the person, in question, unpalateable at best. It was noted that my performance was very effective and made ingenious use of a newspaper (a metaphor for the barriers in our relationship)!

My claim to fame is as a background extra on BBC Radio Four's The Gemini Apes (1998). However, acting has not lost any of its allure and one day I'm hoping for a reprise.