The Gemini Apes

The following is a reprint of a feature written for my online portfolio.

A fascination with media production began when I was bought an Hitachi portable tape recorder (its contemporary is an Apple iPod). I started recording off television, my favourite television shows, and listening to the sounds back without the picture (mentally envisaging a different version). I would narrate stories and record conversations and sounds. It became a form of education via entertainment.

This acute interest in "the theatre of the mind" also encompassed Radio drama! The catalyst was BBC Radio Four’s dramatisation of ‘The Lord of the Rings’ (1981).

During the second year of the BA (Hons) Media Production degree I specialised in audio and video. And undertook a 10 minute audio documentary. Director Dirk Maggs kindly agreed to an interview concerning his successful comic book to radio adaptations, which included DC Comics' 'Batman: Knightfall' (1994) and 'Superman: Doomsday and Beyond' (1993).



In 1998 Dirk invited me to work on 'The Gemini Apes'. My role as a studio assistant involved foley and sourcing original and prerecorded material from The Soundhouse's extensive recording library. This included original content from Skywalker Sound.



Meeting Christopher Lee (he played the character of Drake) during 'The Gemini Apes' recording sessions, was truly a defining moment. This was prior to his career renaissance in 'The Lord of the Rings' and 'Star Wars' prequels. He is a gentleman and formidably intelligent. Christopher regaled us with myriad anecdotes. One of which concerned Johnny Depp with whom he was shooting Tim Burton's 'Sleepy Hollow' (1998).

From a journalistic perspective. Breaks during the recording sessions were a plumb opportunity to network with writers from Starburst, SFX and Dreamwatch magazines.

Requiem for a Dream

Growing up my aspirations diverged from "learning the ways of the force" and time traveling to video game author and Grammy-winning performances. Yet the desire to act and perform overarched everything.

In 1983 I was selected to audition (along with other hopefuls from around the South West region) for a place at a prestigious acting school. Due to very poor planning, on the part of my school, the day turned into an unmitigated disaster and the schedule went askew. Our audition piece, performed at Exeter's Northcott Theatre, would have been savaged by Simon Cowell and Paula Abdul! I had prepared a solo set reciting HG Wells' The War of the Worlds and instead was instructed to mimic a tree. A conciliatory weekend placement was offered to selected students who showed promise - one of whom had the propensity to burst into tears when they'd forgotten their lines. I felt slighted, but nothing that a new Star Wars Return of the Jedi action figure couldn't fix! Biker Scout, I salute you.

During High School, under the aegis of Mr Burton (no relation of Richard or Tim), my passion for drama class flourished. Regrettably, he decided to change schools and his successor drove out any sense of enjoyment and I dropped out. A few years later my Dad would meet Mr Burton, in Torbay, who had assumed that I had continued with acting. And learnt that this was not the case.

In 1990 whilst at College I formed a Pop/R&B band - Def Track - as part of a Media Studies project concerning the music industry. During the coach ride to and from London's V&A (I was also studying A-Level Fine Art) I co-wrote "Don't Judge A Book By Its Cover". We recorded the song, promo video and prepared marketing materials (using MacDraw) ourselves. At the suggestion of our Media Studies tutor I wrote further songs for a possible EP (for submission to local radio stations). However, during the summer my work was stolen or mislaid and there was no backup other than a skeletal arrangement stored on an Amiga A500.

I acted in a University studio project (1993) and was required to show a complete lack of interest in the main protagonist. This wasn't too difficult a leap as I found the person, in question, unpalateable at best. It was noted that my performance was very effective and made ingenious use of a newspaper (a metaphor for the barriers in our relationship)!

My claim to fame is as a background extra on BBC Radio Four's The Gemini Apes (1998). However, acting has not lost any of its allure and one day I'm hoping for a reprise.

Dirk The Daring

During my second year of undergraduate study (1994-95) Maya Personal Learning Edition (PLE) was unrealized and Computational Geometry Algorithms Library (CGAL) was incomprehensible to the mathematically challenged; producing a lavish storyboard is one thing, translating it into binary code is quite another.

Putting my lofty CGI ambitions on the shelf to collect dust (so-to-speak), I specialized in audio and video production. These two mediums* have held me enthralled since childhood and BBC Radio Devon had already broadcast several of my documentaries on their now-defunct teenage magazine programme 90 Miles Per Hour (1990).

At the time BBC Radio One was broadcasting (in Dolby surround) Batman: Knightfall (1994). I decided to produce a 10-minute documentary comparing and contrasting the adaptation of comic books into audio form. Producer/Director Dirk Maggs had established himself as an audio auteur and graciously invited me to the Soundhouse recording studio to interview him during post production on The Amazing Spiderman (1995). And there I made Dirk’s professional acquaintance. Famed comic book artist Dave Gibbons (Watchmen, 1985) was able to provide his own insight, via a studio link, too. It is my intention to publish this documentary online in RealAudio format.

In 1998, whilst in the gainful employ of Reuters Business Information, Dirk hired me as a foley artist/studio assistant on BBC Radio 4 family drama The Gemini Apes. During the recording sessions I met screen legend Christopher Lee and the affable Garrick Hagon; who portrayed Luke Skywalker’s ill-fated best friend Biggs Darklighter in Star Wars. The majority of Garrick’s exorcised scenes, from a New Hope, were not reinstated in the recent DVD release to the detriment of the story.

Presently, Radio Four is broadcasting The Hitchhiker’s Guide To The Galaxy - The Tertiary Phase. And, as ever, Dirk’s audio production is at the vanguard of broadcasting technology. You can listen to an experimental 5.1 mix (with suitable decoding equipment) online now.

[*I’ve always been perplexed by individuals who are anxious to stereotype and pigeonhole! The following question appears to be enshrined in interview vernacular: What part of the media are you most interested in? The honest answer is the media in all its rich diversity.]

Don't Panic!

In September 2004 BBC Radio Four premiere's the continuation and conclusion of Douglas Adams' The Hitchhicker's Guide To The Galaxy (begun 25 years ago). Life, The Universe And Everything; So Long And Thanks For All The Fish and Mostly Harmless (none of which were originally produced for radio), features Douglas Adams himself, thanks to the wonders of digital technology. Douglas always intended to play the part of Agrajag and recorded himself in the part a few years ago.

Douglas Adams chose Dirk Maggs to direct. In 1998 I was hired by Dirk to work on his original family audio drama The Gemini Apes, which starred Christopher Lee. Can't wait.

In 1999 I attended (with friends) a Westpoint concert performed by The Corrs! The sisters are even more beautiful in 'real life' (if that's possible) and I was astonished at how good the group are live! Their most recent studio albums airbrushed out their musicality, so it was a delight to recently discover another live CD release. VH1 Presents The Corrs Live In Dublin. U2's Bono duets with Andrea during the concert and it's an inspired performance.