Showing posts with label cylons. Show all posts
Showing posts with label cylons. Show all posts

Sunday, 30 January 2005

Number Six

Tired of waiting for an R2 DVD release of My So-Called Life (1994), in 2002 I purchased a Toshiba SD220 Multi-region DVD Player, and cannot recommend its successor highly enough for anyone tempted to dip a toe into the expansive R1 market. MSCL was never released outside the US and, following the withdrawal of the 5-disc box set, is listed as £250 on eBay.

Yesterday, I received Battlestar Galactica (2003 mini-series). I opted for the R1 DVD release for both technical and content reasons. The disc is authored to DVD18 specification (double-sided, dual-layer, 18GB) and 480p encoding. The advantage of the increased capacity (against the R2 DVD9) is a higher bit rate for both the feature and bonus material - detail is everything.

The mini-series has far exceeded my expectations (admittedly very low). The Cylons are a complex enemy. Prior to the bombardment and subjugation of Caprica, Number Six (Tricia Helfer), cursed with duality, chillingly breaks the neck of a baby and shows tearful remorse. In a Universe devoid of meaning it is the Cylons who believe that they are God's children whilst we battle with the guilt of knowing that they are our creation. The new series sports a strong cast and haunting ethereal score. By your command...

Tuesday, 25 January 2005

Saga of a Star World

Kobol's Last Gleaming, Part II was shown last night on sky one. Battlestar Galactica's S1 finale is of Buffy/24/Alias calibre. The audacious twists and turns, culminating in Adama's 'assassination' by a Boomer Cylon replica, were irresistible. The exploration of Cylon religion (ideology) provided the production with an opportunity to reprise the cinema of Stanley Kubrick and intellectual concepts penned by Isaac Asimov and Philip K. Dick. Whilst the biomechanical Basestar interior evoked the designs of fabled surrealist H.R. Giger.

Turning back to the original Battlestar Galactica TV series. In Europe three feature-length episodes were released theatrically (in alternate form):

*Battlestar Galactica (1978)
Abridged version of Saga of a Star World. Includes Baltar's execution, which was deemed too violent for TV audiences.

*Mission Galactica: The Cylon Attack (1978)
The Living Legend Part I & Part II and Fire in Space.

*Galactica III: Conquest of the Earth (1980)
Galactica Discovers Earth, The Night the Cylons Landed Part I & Part II, The Young Lords and stock footage taken from the movie Earthquake (1974).

We didn't own cable (Rediffusion television was one of the earliest providers). So, I only viewed the first theatrically and the 'sequels' on video rental (Sony Betamax). Baltar's execution (in the theatrical version) is confusing and his return is never explained. It would be nearly a decade before I had an opportunity to see the entire Battlestar Galactica series including the risible Galactica 80.

I've ordered the 2003 mini-series (R1 DVD) from Play. Compare and contrast R1, R2 and R4 releases here.

On an unrelated note. Some iDisk users are experiencing service problems following scheduled maintenance (at the weekend). I'm very happy to report that none of the purported issues have afflicted my account. Again, this only serves to underscore the importance of archiving data on a regular basis.

Tuesday, 4 January 2005

By the Lords of Kobol!

The notion of Sky's re-imagined Battlestar Galactica was, initially, met with derision. Until I started watching S1 (currently airing in the UK ahead of its US debut) and was delighted to discover that the series owes more to the paranoia of the X-Files (Cylons replacing Colonials) and the Vietnam analogy Space: Above and Beyond than its namesake (not dismissing S1).

The Cylons are no longer a cyber-reptilian race (as described in the 1978 Grandreams annual), but are robotic slaves that rebelled and overthrew their human masters - now the Cylon war machine relentlessly pursues the embattled survivors across the galaxy (as in the original premise). The CGI is superlative for episodic television, and the dogfights ape the cinematography of Apocalypse Now (see also Star Wars: Attack of the Clones).

Not all is perfect in this brave new world. Human actors replacing the colourful Cylon variants of the original is too convenient and unimaginative. And the CGI Cylon Centurions are cumbersome a la the Sandtroopers in Star Wars: A New Hope (Special Edition and DVD release).

As I missed the mini-series* and opening episodes of S1, it remains to be seen if the Cylon Imperious Leader has transferred to the new format (albeit in a radically different guise, for example as a super computer along the lines of Skynet)!

*I may checkout the R1 DVD release and post a review in the future.