Micronauts coming soon from Super7

Exciting news for Micronauts fans (myself included): Hasbro has licensed Mego's beloved seventies toy line to the fine folks at Super7. The Micronauts attained a cult following and were briefly resurrected by Palisades Toys in 2002.

“The return of Micronauts really represents what Hasbro and our licensing business are all about – bringing unique interactive fun and collectible experiences for fans across multiple generations,” Marianne James, Senior Vice President, Global Licensing at Hasbro, tells IGN. “The team at Super7 have done an incredible job reintroducing the line for a new generation while capturing what made the original 1970s lineup so special. We look forward to exploring even more licensing opportunities with world-class partners like Super7 to give fans unique offerings from the brand like never before.”

The Micronauts, Mego’s rebranded name for Microman in the US, was a storied interchangeable toy line from Takara (the Japanese toy company that would go on to create Transformers).

The 3½ inch action figures and accessories scaled perfectly with Kenner’s Star Wars toys, so they inhabited a shared universe in my childhood bedroom. Ironic, as Mego infamously passed on Star Wars. Incidentally, Mego reused Microman tooling for Disney’s The Black Hole and Buck Rogers in the 25th Century toys, which I also collected.

Super7 co-founder and CEO Brian Flynn says, "As kids, Micronauts were undeniably some of the coolest action figures ever made. Their clear bodies and interchangeable pieces were like nothing else, and their fantastical designs were out of this world (in space!) and ignited imaginations everywhere. From the colossal Biotron and the magnetic Baron Karza to the dynamic Microtron and the translucent Time Travellers, Micronauts had it all - from aliens to robots to heroes! Being able to revisit the fantastical world of Micronauts with the same childhood excitement is nothing short of a dream come true for all of us here at Super7."

Marvel Comics released a tie-in comic (reprinted in Star Wars Weekly and Future Tense) following the adventures of Commander Rann (my Xbox Gamertag) and his battle with the evil Baron Karza. The latter, a Darth Vader lookalike, was a cherished holiday gift in 1978.

The original comic book series is being reprinted in partnership between Marvel Comics and Hasbro. The omnibus editions are available here (affiliate link).

In June 2016, Hasbro announced a limited edition Micronauts Classic Collection toy set. The San Diego Comic-Con (SDCC) exclusive included three Micronauts: Galactic Warrior, Pharoid and Orbital Defender, and featured packaging artwork by artist Ken Kelly.

The first wave of Micronauts action figures from Super7's ReAction+ line features the villainous Baron Karza and heroic Biotron with 12 points of articulation and an O-Ring construction. In the future, I'd like to see Acroyear and Force Commander.

Will you be collecting these Micronauts action figures? Which Micronauts would you like to see re-released by Super7? The fate of the Microverse is literally in your hands. Let me know in the comments below.

Alien: Romulus to terrorise on Disney+

Alien: Romulus is finally bursting onto Disney+ in the UK!

During the holidays, I finally found time to watch the latest instalment in the Alien franchise from Fede Álvarez (Don't Breathe). I was impressed with its cast, stunning cinematography, Benjamin Wallfisch's stirring soundtrack (replete with callbacks to Jerry Goldsmith, James Horner, Elliot Goldenthal and Harry Gregson-Williams) and ingenious use of sound design.

In his review, our US-based film and television critic Nick Smith wrote, "Alien: Romulus is really aimed at 18 to 25-year-old moviegoers who haven’t seen those creaky old Alien movies and want to take a ghost train trip to the future."

In the wake of Alien: Romulus' $350 million box office success, not too shabby for an originally straight-to-streaming movie on Hulu on Disney+, I'm hopeful the sequel will see Álvarez fully unleashed.

Alien fans (myself included) can look forward to Alien: Earth this summer on Disney+. Noah Hawley's (Fargo) live-action spin-off series is set two years before Alien.

Alien: Romulus starts streaming on 15th January on Disney+.

Have you seen Alien: Romulus? Are you looking forward to seeing it on Disney+? Let me know in the comments below.

The Last of Us at CES

A new teaser trailer for season two of The Last of Us dropped during Sony's presentation at the Consumer Electronics Show (CES) in Las Vegas.



Read the official synopsis:

“After five years of peace following the events of the first season, Joel and Ellie’s collective past catches up to them, drawing them into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”

Bella Ramsey, Pedro Pascal and Gabriel Luna are back and we also see Kaitlyn Dever as Abby, Isabela Merced as Dina, Young Mazino as Jesse, Ariela Barer as Mel, Tati Gabrielle as Nora, Spencer Lord as Owen, Danny Ramirez as Manny, and Jeffrey Wright as Isaac. Catherine O’Hara also guest stars.

In related news, Sony showcased its Future Immersive Entertainment Concept. According to Sony, it combines Crystal LED panels, audio, haptics, scent, and atmospherics with a PlayStation game like The Last of Us to create an interactive experience. For now, this is only a proof-of-concept.

The Last of Us returns this April on HBO and Sky Atlantic.

Are you looking forward to the second season of The Last of Us? Let me know in the comments below.

Doctor Who: Joy to the World

Christmas Day wouldn't be the same for Whovians (myself included) without Doctor Who!

Last year's The Church on Ruby Road re-established the fan-favourite timey-wimey tradition. Following Boom, Steven Moffat returns with a festive special.

Does Nick Smith, our US-based veteran Whovian, find joy in Joy to the World?

Guest post by Nick Smith

It’s difficult to capture the joy inherent in the winter holidays in fiction without sounding corny. Charles Dickens met the challenge by cloaking his best-known story, A Christmas Carol, in bittersweet dusk cloth and unforgettable characterisation. Readers have to bite through dark chocolate to get to the sweet centre. Other, more recent attempts have used cynicism to connect to modern sensibilities, as if to say, ‘look at us, aren’t we ridiculous, taking the time to stop our busy lives and care about others?’

Although this is the ninth Christmas special written by Steven Moffat, it shows no sign of writer fatigue; his break from the show, from 2017’s Twice Upon a Time up until 2024’s Boom, did him some good.

The eponymous character Joy (Nicola Coughlan from Bridgerton and Derry Girls) does not dominate her story; she spends part of it possessed, and another large chunk separated from the Fifteenth Doctor (Ncuti Gatwa), who is stranded in our time, poor guy. Joy is there to state the obvious like a classic companion - albeit, a dumbed-down version - and in one scene, the Doctor is mean to her in a manner that echoes the Fourth Doctor's (Tom Baker) treatment of Sarah-Jane Smith (Elisabeth Sladen) when he goads her out of a tight squeeze in The Ark in Space.

15’s badgering of Joy leads to a revelation that she couldn’t be with her mother when she died, developing a theme of loneliness that is as relevant to Christmas as carols and figgy pudding. The holidays are a tough time to be alone, and as the year draws to a close, we are reminded of friends and family who can’t be with us. It’s up to us whether we choose to pull up a chair and make new friends, or shut ourselves in a room and wait for the thaw of a new year.

Steph de Whalley’s character, Anita Benn (named after her father no doubt) is a standout character, connecting emotionally with 15 in a way that his previous companion, Ruby (Millie Gibson), never did. She listens to the Doctor’s crazy talk and encourages us to care about her, partly because of her loneliness. Another solitary character, Sylvia Trench (Niamh Marie Smith), is found on a train, doubtless fresh from an adventure with James Bond since she is 007’s original movie girlfriend.

The Doctor also bumps into Edmund Hillary (Phil Baxter) at a Mount Everest base camp, accessed by a portal from a Time Hotel where any room – or tent – can be entered via the locked door you find in many suites.

Who cares about the laws of time when there’s humour to be derived from the Doctor popping up with ham and cheese toast?

Luckily, locations like the Everest camp are reused, so they don’t feel like they’re just thrown in because the Disney+ budget can withstand their inclusion. The Doctor has a mystery to solve, goes undercover and does his best to save the day – but the real danger here, the one the Doctor can really help us with, is the threat of being alone at Christmas.

Thanks to Moffat, locked hotel doors will never be seen the same way again, just like statues, shadows and snowmen. Thanks to him, less and less everyday things are safe in the universe. I applaud him for sharing his imaginative, occasionally disturbing, ideas with us and creating the Time Hotel. It’s the perfect place to take a break from cynicism, pull up a chair, have a pumpkin latte, and relish a slice of new Who.

Moffat’s 2024 Doctor Who Christmas special, Joy to the World, offers us many gifts: adventure, drama, time travel trickery, a dinosaur, and jokes worthy of a Christmas cracker. It’s like a seasonal feast without the sour brussel sprouts of disparagement. Lacking in cynicism, Joy to the World might seem old-fashioned to some, but to me, it is a shining light in a gloomy time of war and polarised thinking.

Have you seen Joy to the World? What did you think? Let me know in the comments below.

Nick Smith's new audiobook, Undead on Arrival, is available from Amazon (affiliate link).

Apple TV+ free to stream this weekend

To celebrate the start of 2025, Apple TV+ is free this weekend (3rd January through 5th January) on any compatible device! All you need is an Apple ID to see what all the buzz is about.

As I've written previously, Apple TV+ has become a home for prestige sci-fi series from For All Mankind to Silo. Now you can binge-watch these series and much more as you finish eating any leftover snacks from the holiday season.

What will you be watching on Apple TV+? Let me know in the comments below.

Nosferatu

Christmas is as much a time for ghost stories as Halloween with Gremlins and Krampus creating chaos in the shadow of Santa Claus. Not to be outdone. Nosferatu wants in on the festive fun, too.

Nick Smith, our US-based veteran vampire hunter, seeks out a ravishing remake of Nosferatu originally inspired by Bram Stoker's Dracula.

Guest post by Nick Smith

For those of us who feel an affinity to darkness…

For those of us who lose our senses when the world becomes too much…

For those of us who feel ignored or misunderstood…

For those of us who give too much to someone else with evil in return…

This is our story.

Director Robert Eggers’ greatest gift is to place his audience in a different, believable world. He did it in 2015’s The VVitch, where we were transported to New England in the 1630s, a land of isolation, superstition, creepy goats and short lifespans. In The Lighthouse, two 19th century men went bonkers in black and white. And in The Northman, the adventures of Amleth the Viking are dark, nasty, brutish and weird, set against an authentic 10th century backdrop. Eggers knows the devil is in the details.

In Nosferatu, those details include asylum accessories; authentic Christmas tree ornaments, as used to decorate the homes of Germans in the 1830s; and symbols on the documents of Herr Knock (Simon McBurney), who sends his employee Thomas Hutter (Nicholas Hoult – young Beast in the X-Men movies) to Transylvania.

Unfortunately for Thomas, Knock is a Renfield-like agent of Count Orlok, a vampire who covets Thomas’ wife, Ellen (Lily-Rose Depp, daughter of Johnny and Vanessa Paradis). Orlok’s spirit has been driving Ellen around the bend, and only Thomas’ love can save her sanity… or is she stronger than she thinks?

Nosferatu oozes with atmosphere.

Eggers has spent ten years preparing this film, feeding on a fascination that he’s harboured longer still. At times he doubted his ability to do justice to the original, F. W. Murnau’s 1922 knock-off of Dracula. He need not have worried. His attention to the trappings of pre-industrial Germany, his affinity for Hammer films, and his $50 million budget all help to make this movie a memorable experience.

At times, so much colour is sucked from the film that it seems almost monochrome, like its inspiration; at others, the screams and sloughing skin are nightmarishly real.

Fortunately, Willem Dafoe is present as the Van Helsing-like Professor Albin Eberhart von Franz. Dafoe reminds us that he is a top-tier actor, responding to his grand guignol surroundings with just the right amount of passion and panache. He helps to keep the movie flowing; when he is not around, particularly in the first act, Nosferatu drags like a bloated corpse, expanding its 80-minute source movie to over two hours. There’s an awful lot of talk, too, considering it’s based on a silent movie!

If you are willing to ignore the critics who pick at these faults like toothless rats, there’s plenty to savour in Nosferatu: Romance, tragedy, obsession, the corruption of disease, the decay of death, and the fear of the unknown that helped to make Dracula so popular in the first place.

Have you seen Nosferatu? Let me know in the comments below.

Nick Smith's new audiobook, Undead on Arrival, is available from Amazon (affiliate link).