Reluctant Spice World

When I began my tenure at Reuters in 1996, the Spice Girls appeared on the pop scene and, mentored by their manager Simon Fuller, sold the ideological premise of "Girl Power!" wholesale to the masses.

This equated to a license to print money and, whatever you may think of the Spice Girls musical oeuvre, there's no denying Fuller's conquest of the retail aisles! From CDs to posters and toys to sweets, the Spice Girls foreshadowed the arrival of Bratz and the brand dilution of Barbie!

Incidentally, Victoria Beckham (then Adams) AKA Posh Spice, allegedly auditioned for a Bournemouth University BAMP production prior to the Spice Girls! Please don't ask me for details as I don't have any further information!

In anticipation of their upcoming tour...

I’M RELUCTANT SPICE, MEL C TELLS GRAHAM NORTON THE GRAHAM NORTON SHOW

10.00 pm, Thursday 25 October 2007 (repeated Sunday), BBC TWO

MELANIE ‘Sporty Spice’ CHISHOLM confirms she was slow to sign up for the Spice Girls’ forthcoming world tour when she joins GRAHAM NORTON this week.

‘I was Reluctant Spice’ she says, ‘I was the last to make my decision because it was a hard decision to make .. I was scared we couldn’t do it again. It was a weird time of my life, I had a lot of personal s**t to get over after the Spice Girls.’ But she denies press rumours that she was bullied; ‘I never said that. How can they quote you? I wasn’t bullied at all. .. I just love the British tabloids, they’re so imaginative! In America they’re more of a joke.’

About the forthcoming single she says they all share the singing honours; ‘We all sing the chorus, we all have an equal part in the song .. it’s a very ‘Spicey’ ballad, it’s lovely to hear all our voices again, I love doing that kind of stuff.’

Mel also comes out in support of troubled Britney Spears. ‘Poor Britney, I feel bad for her. She used to be looked after. Obviously she’s not happy, she really needs someone to step in.’

And she also reveals she’s been round to the Princes’ for tea; ‘I met them a while ago. We [the Spice Girls] were invited to Highgrove for high tea. Some of us didn’t like cucumber sandwiches and we made this known to our hosts, and we were made peanut-butter on toast by Prince William (but) the kitchen was rubbish, like MFI!’ she said.

Graham is also joined by Hollywood royalty JOSH HARTNETT whose latest blockbuster 30 Days of Night is released in the UK next week; and RUFUS WAINWRIGHT performs his new single Tiergarten live in the studio.

Watch the interview clip (iTunes required).

The Graham Norton Show is a So Television production for BBC TWO.

Dark Matter

Clym Dodds, a friend whom I met as an undergraduate at Bournemouth University and worked on December Duet (1996), wrote to me to announce that Darker Projects' latest audio drama, in association with Infected Books, is now available online!

Autumn, by David Moody, is a vision of apocalyptic horror.

Autumn Trailer (MP3)

A Word from the Composer

I have been a tremendous fan of Zombie "culture" ever since experiencing Romero's Dead series. I can remember a friend's reaction of horror when he learned I had not seen Dawn of the Dead – at the time I was a little cynical and naive about the whole thing – I didn't understand what the big deal was. "You have to f***ing see it!" he exclaimed violently. That night we put on the film and around the point of the Monroeville Mall and that line "This was an important place in their lives. " I was laughing with delight, but I also felt the abject horror creeping up on me. This WAS a delicious sort of existential nightmare emerging. There were (perhaps obvious in retrospect) wonderful societal commentaries as well – the idea of a consumer culture, gobbling up everything and everyone in it's path; our collective fear in discussing or really dealing with the idea of our own mortality, and unprepared and unable to let go of the ones we lose (you're going to have to let go, or they're going come and eat you!); I realized after the film that Dawn of the Dead was not a film for gore hounds, it was a film for intellectuals. Intellectuals unafraid of facing a slightly more morbid subject matter. And, of course, intellectuals with a dark sense of humor.

David Moody's 'Autumn' feels born from the same womb. It hearkens back to the intellectual horror old school - his book had me imagining in black and white movies (pictures like Night Tide, Carnival of Souls, and of course Night of the Living...) with atmosphere and subtext, less gore and more subtly building sensations of isolation and that skin-crawling, existential type of fear. I attempted to convey these qualities in the musical score, along with a few healthy doses of schlock horror music fun!

I must also mention the level of freedom and support provided by Paul Mannering and his Darker Projects team. It's lovely to be involved in something so close to the (now virtually obsolete) genre of Radio Drama - Bernard Herrmann's work for Orson Welles' Mercury Theater productions are personal favorites of mine. And I just love hearing people being operatic and theatrical without any distracting images or CGI effects to get in the way.

Devin Anderson
March, 2007

You can listen to the full episode over at Darker Projects and download the free eBook at Infected Books. Darker Projects audio dramas compare favourably with Dirk Maggs' productions and I can't recommend them highly enough! But, then again I'm biased!

King of the Castles

In the summer of 2004 Bournemouth University's Alumni Association interviewed me for a special magazine feature focusing on graduates who are now successfully working in the media industry. The article was published in The Talbot (Summer 2004) magazine. Download the PDF (13.9MB).

Scoring Pictures: Part I

"How much do we see when we hear? How much do we hear when we see?" - American film composer John Williams. From the liner notes of Star Wars - The Empire Strikes Back album.

Transfering archive analogue recordings has afforded a rare luxury to revisit many of my audio recordings! And I’m delighted to finally present the evocative score composed for December Duet (1996).

This suite (MP3) was composed and performed by Barrie Cole and recorded at Knighton Heath Music Center, Bournemouth and Poole College.

What follows is taken from my production analysis.

Why use sound when, surely, pictures, alone, can tell the full story? Obviously television and cinema are, inherently, about visuals. But an important aspect of these mediums is also sound. Often implicitly ignored by audiences. It’s there, but on an almost subconscious level. Sound masks editing, jump cuts and the passing of time. Without sound, it would be, arguably, impossible for the director to suspend audience disbelief. That what they are watching just isn't real. And, as a result, the audience will have no means with which to relate and engage the characters and the story. In essence sound underscores the illusion of reality.

Whereas the means in which pictures are mediated to an audience hasn't technically progressed (apart from a few rare exemptions / attractions such as IMAX Cinemas and 'La Geode', in Paris), commercially, for some time, due to the inherently vast development costs. And the unwillingness of theatres to embrace such undertakings, until the costs come down. The way in which sound is exhibited has undergone constant evolution. The advent of Dolby Stereo, showcased to dramatic effect in Star Wars (1977), made such a cultural impact on movie making. And latterly domestically. It created an entire industry devoted to post production sound. This has filtered down to television, in recent years.

Who can forget what a dazzling contribution John William's epic compositions for The Star Wars Trilogy (1977 - 83) made to the onscreen F/X and action. Would the films have been so highly praised if it had been unaccompanied by music and ground breaking sound design engineered by Eric Tomlinson and Ben Burt?

I wanted to convey my affection for beautifully recorded soundtracks, both diagetic and none. Essentially create a stereo soundtrack to compliment the visuals. I wanted to apply the knowledge that I had learnt from the previous two years whilst doing audio and video. The culmination of which was last summer's (1995) integrated project.

Simon, who undertook the role of PPS, sympathised with me. He fastidiously sculpted a rich sound stage which depicted, clearly, the vocals, sound F/X and musical score. We were able to draw a very fine line between complimenting the visuals and sounds. The temptation to over do one element, at the expense of the other, was avoided. It never descended into OTT melodrama. It lent a 3-Dimensionality to the 2-D environment of the screen. And also it adds another important element, that of directing the audiences emotions. I personally believe that you cannot have good visuals without good sound. It seems such a loss of creative potential, and a human sense, to apply effort to the visuals (in video) and give little, or no, consideration to the sound design.

During post production sound, sounds can be repaired and smoothed. Voices, crowds and additional dialogue etc can be added via A.D.R (Automatic Dialogue Replacement). This technique is used extensively in film / television production. A recent example is the movie Speed (1994), in which sound design takes the action to a new level of experience and audience participation. Foley adds footsteps, additional sound needs (not normally accessible during location recording).

To be continued.

Left To My Own Devices

The following chronicles my web exploration and site building exploits. The original article appears here.

Before Google
For anyone who maybe remotely interested. My online adventures began in the summer of 1995. A friend and I spent a leisurely Sunday afternoon in Bournemouth University's main library surfing the net using Netscape 3 Gold (back in the days before the advent of 'free' browsers and IE domination).

The first site I ever visited was Sony USA. And the first search (using Yahoo!) was for actress Winona Ryder. Does anyone remember this site from Eric Harshbarger?

http://www.auburn.edu/~harshec/WWW/Winona.html/

After graduation, and now in gainful employment at Reuters Business Information (RBI), I signed-up with AOL UK (1997).

Google Earth
In the spring of 1998 Macworld UK magazine carried a free copy of Claris Homepage on a cover CD.

Claris Homepage may have lacked the 'killer' features of GoLive and sexier Dreamweaver (the de facto WYSIWYG), but it was simplicity itself, and, above all, no hefty price tag if the medium left me cold. So, whilst off work and suffering from flu, I started to put together an inaugural web site: an eclectic mix of original work and pop culture commentary (Buffy, Party of Five and Dawson's Creek had captured the zeitgeist of the day). This went live on AOL within a week. The first 50 hits came soon after!

By 1999 AOL UK had all but alienated its Mac customers due to tardy application updates and lacklustre support, and I searched for an alternative ISP and web host.

Things That Make You Go Hmmmm
Regrettably this was a time prior to the wonder known as the SuperDrive (CD/DVD burner). Despite owning an Iomega Zip 100 Drive the notion of regularly backing up critical data (on my trusty Performa 5200) had yet to enter my design DNA. In a move that would cost me two-years of web development (including graphics, text et al), I accidentally deleted my offline site. For the record let it be noted that Microsoft's Outlook Express 4.x (for Classic OS) should take some of the responsibility too!

The next two years went by and I couldn't muster any enthusiasm to rebuild the site from scratch - work and the transition from Classic OS to OS X took their toll. Then a friend asked me why I hadn't setup a new site? The honest answer was creative apathy. Apologetically I loaded Adobe PageMill 3 (included with my iMac DV SE) and...

Step By Step
Adobe offered registered PageMill 3 users a free upgrade to GoLive 5! In the space of a weekend (burning the midnight oil as-it-were) I'd assembled a basic site and uploaded this to my iTools (.mac) iDisk after some trial and error (mostly the latter) - there were no tutorials explaining how to use original templates and requests (to other iTools webmasters) for help went unanswered. Where had the sense of community gone?

Once I rolled out the site (2.x) the next phase was to promote reciprocal links, SEO (Search Engine Optimisation) and consider affiliate marketing (pays the hosting bills and adds a high degree of editorial responsibility on my part).

American Idol
A cute recollection. I'd applied to join The Iconfactory's deskbase in 2003. That same afternoon I received a confirmation, from Mindy Weaver, warmly welcoming me to their extended family. At the time Kelly Clarkson's 'Moment Like This' was playing on the radio.

Express Yourself
By 2004 this site had come of age and I could no longer ignore the allure of the brave new frontier: blogging + RSS (Really Simple Syndication).

Although blog templates are often criticised for their homogeneity, ease of use and extendibility far out way any negatives. Critical code updates can be applied to an entire site sans the time-consuming tedium of modifying each page individually. This leaves authors to focus on 'content'.

Think About The Future
2006 and, now that the blog is well established (Buffy and Dawson have graduated out of our lives), it's time to revisit this site again replete with a new 'bag of tricks'! The incumbent GoLive has made way for the sassy Macromedia Studio 8 triple threat (Dreamweaver, Fireworks and Flash).

What "dreams" may come?

Silver Nemesis

For me Kit Pedler and Gerry Davis' creation is second only to Darth Vader. The new droid-like Cybermen are instantly recognizable. The official BBC website welcomes visitors with a metallic klaxon. I can already hear the Earthshock score composed by the late Malcolm Clarke!



Will David Banks (Cyber Leader) and Mark Hardy (Cyber Lieutenant) once again be entombed in cyber armor? Rumor has it that this tale will hark back to the Patrick Troughton era.

The Snowman is an original story idea featuring a solitary Cyberman (see Marvel comics Doctor Who Issues 58-59 Junk-Yard Demon) whom is discovered, deactivated, in the grounds of a country house estate. I had intended producing an audio drama (Bournemouth University 1994) and am considering whether or not to release it as a podcast in the New Year.

My copy of Madonna's Confessions On A Dancefloor has arrived! As I listened to the new album for the first time, I was editing lines of html code and optimizing the blog template! The review will be published next week.

Whoa, that was like a... Jedi moment

The following, exhautive, review is based on the R1 release of Lost Season 1.

Disc 1 (2:48:39)
Pilot - Part 1 (42:13) 
Pilot - Part 2 (40:17)
 Tabula Rasa (43:27) 
Walkabout (42:42)



Disc 2 (2:51:38)

White Rabbit (42:30) 
House of the Rising Sun (42:44) 
The Moth (43:14)
 Confidence Man (43:10)



Disc 3 (2:51:13)
Solitary (43:08)
 Raised By Another (42:45) 
All the Best Cowboys Have Daddy Issues (42:08)
 Whatever the Case May Be (43:12)



Disc 4 (2:51:24)
Hearts and Minds (43:17) 
Special (43:15) 
Homecoming (41:36) 
Outlaws (43:16)



Disc 5 (2:52:01)

In Translation (43:02)
 Numbers (43:06)
 Deus Ex Machina (42:39) 
Do No Harm (43:14)



Disc 6 (3:34:43)

The Greater Good (43:15) 
Born to Run (43:14) 
Exodus, Part 1 (43:16) 
Exodus, Part 2 (1:24:58)

Video

Unlike the US 4:3 broadcast (only available in widescreen for HDTV consumers), Channel 4 is airing Lost in its original 16:9 aspect ratio. The DVD retains the 1.78:1 formatting and eclipses the PAL standard definition picture with 480p (compatible television required). The transfer is so vivid that it’s easy to forget that you’re looking at a screen. The image pops and colors are luxuriant.

Audio

The perfect presentation is not exclusively limited to sight. The sounds of the island are all encompassing. My Kef 5.1 speaker setup heightened the tension to such a degree that there were times when it became almost unbearable (check John Carpenter’s The Thing or Jurassic Park for comparison). The audio mix would be worthy of Skywalker Sound's Gary Rydstrom.

Extras
Often dubbed as "bonus features," "special features" and "added value", for many DVD consumers they're a compelling reason to buy a DVD set. The Mouse House has come a long way since those first, faltering, steps with Warner Home Video. A time when "special features" were anything but, and consumers should have sued for compensation.

Commentary Tracks
Pilot Parts 1 & 2 - Executive producers J.J. Abrams, Damon Lindelof and Bryan Burk
Walkabout - Executive producer Jack Bender, Co-executive producer David Fury and Terry O'Quinn (Locke)
 The Moth - Damon Lindelof, Bryan Burk and Dominic Monaghan (Charlie)
 Hearts and Minds - Executive producer Carlton Cuse, supervising producer Javier Grillo-Marxuach, Maggie Grace (Shannon) and Ian Sommerhalder (Boone).

The Genesis of Lost (8:40)
The tale of how Lost became a TV show. This featurette includes interviews with executives from ABC, and the producers of the series.



Designing a Disaster (7:59)
How did they construct one of the most incredible series openings of all time?

Before They Were Lost (22:55)
The formation of the cast as told by JJ Abrams, Damon Lindelof, April Webster (casting director), Bryan Burk, and the crew. There are lots of audition tapes included in the featurette, and you can watch the entire tape in...



Audition Tapes (23:34)

Audition tapes for the cast members. Matthew Fox (3:31), Evangeline Lilly (2:53), Dominic Monaghan (1:16), Naveen Andrews (2:01), Yunjin Kim (1:10), Daniel Dae Kim (0:46), Josh Holloway (1:20), Jorge Garcia (1:57), Ian Somerhalder (1:36), Maggie Grace (1:48), Harold Perrineau (1:35), Malcolm David Kelley (1:22) and Emilie de Ravin (2:19). These are pretty interesting, especially because there are things that didn't make it into the show, or actors are auditioning for different characters.



Welcome to Oahu: The Making of the Pilot (33:20)
Self explanatory and artfully leveraging the DVD medium a la Peter Jackson's Lord of the Rings trilogy.

The Art of Matthew Fox (6:07)
When watching Party Of Five, it was clear that there was an inherent sadness in Matthew’s studied performance of Charlie and one that may or may not be autobiographical. This feature arguably lends further credence to my observation! I hope his photographic endeavors touch you as deeply.

Lost @ Comicon (1:50)

The cast and producers headed to Comicon last July where they debuted the pilot. Now this looked like fun unlike Bournemouth’s Excalibur.

Lost: On Location (43:42)
A few featurettes that focus on an episode, or a single aspect with shooting it. The Trouble With Boars (5:19), House of the Rising Sun (7:19), Confidence Man (4:24), All the Best Cowboys Have Daddy Issues (4:56), Whatever the Case May Be (2:58), Hearts and Minds (6:20), Special (3:05) and Exodus (9:21).



On Set With Jimmy Kemmel (7:15)
Kimmel visits the set of Lost. This had me in stitches and the ‘monster reveal’ culminated in hyperventilation!

Backstage with Driveshaft (6:40)
Dominic Monaghan talks about "Driveshaft," and the "hit" song that they sang. The producers explain the idea behind the song, and how it was recorded.

The Lost Flashbacks (4:35)
A couple of flashbacks that weren't shown on TV, which makes them "Lost Flashbacks" and not "Lost Flashbacks." I really enjoyed the Claire flashback. At the Airport: Claire (3:07)
 At the Airport: Sayid (1:28)



Deleted Scenes (14:41)
There are 13 deleted scenes from the first season.



Bloopers from the Set (4:17)

Live from the Museum of Television & Radio (10:56)
The chemistry between the cast and crew is palpable, and it’s a genuine shame that this was only an appetizer.

Scriptscanner

If you have a PC you can read the script to the pilot episode while it plays.

Sneak Peeks (14:22)
Trailers for movies and TV shows can be found in this section. The Lion, The Witch and the Wardrobe looks enchanting, and maybe the movie of the year for me. There are trailers for The Chronicles of Narnia (2:33), TV on DVD (1:56), Lost Season 2 - spoiler free! - (0:32), Alias Season 4 (1:19), Desperate Housewives Season 1 (0:32), The Hitchhiker's Guide to the Galaxy (2:25), Scrubs Season 2 (1:33), Dark Water (2:33) and Jimmy Kimmel Live (0:59).

Easter Eggs (1:58)

Alternate Main Title Sequence (0:22) – Just terrible and evokes the X-Files opening titles. Want to find it? Put in disc seven, go to "Tales from the Island" and press left twice, then enter.

Locke and the Orange (1:36) - Want to find it? Select "Tales From the Island" on Disc 7, then highlight "Main Menu," press right, and then enter.

In summary
When you have the collective talents behind Alias, Buffy, Angel and Batman: The Animated Series how can you go wrong?

Theories regarding how the Sydney to LA Oceanic flight crashed are as abundant as they are diverse. Are the passengers dead and struggling to make peace with their past lives before moving on or is it The Truman Show meets Survivor? Whatever. Discuss by all means. But, as my Media Studies tutor once said – the journey is often far more interesting than the destination!

There’s a liberal sprinkling of Star Wars and Star Trek in-jokes set against a Planet of the Apes backdrop. Hurley's "Dude" manages to remain humorous and so revealing of the character - a gentle giant a la Chewbacca. And then there's Sawyer who immediately reminded me of Solo - I couldn't stop grinning at the lines including "Princess", "Sulu" and "I'm a complex guy!" And John Locke's character resonates as I'm a paraplegic due to a serious head injury in first school - a classmate was pushed into me. And, yes, I was in a wheelchair...

The inaugural season of Lost is the finest DVD presentation of a television series I’ve viewed since purchasing my first Sony DVD player in 1998. Yes, it really is that good. This is a seminal seven-disc treatment and only Battlestar Galactica (2004) can take the edge off withdrawal symptoms.

The Final Countdown

The year 1996 forms a convenient segue from the last post and ties-in with today's safe return of space shuttle Discovery. Prior to completing my final year at Bournemouth, I graduated from console gaming (only to return a few years later with the purchase of a PlayStation) to PC/Mac.

My Macintosh Performa 5200 introduced me to the rich CD-ROM tapestries weaved by LucasArts at the peak of their powers. Dark Forces (favorite FPS), Rebel Assault II - The Hidden Empire (completed between sending off an application to Reuters and accepting the position) and The Dig (demo). The latter remained an enigmatic curio (I'm familiar with Alan Dean Foster's soft cover novel) until this morning, when I obtained a copy of the full game (PC) and played it via the venerable ScummVM.

Based on a story by Steven Spielberg, with dialogue written by Orson Scott Card (The Abyss), the apocalyptic narrative presages Hollywood's meteor movies Deep Impact and Armageddon. The Dig's hand-drawn and animated game art looks fresh and inviting in 2005. Surely this was a franchise in the making replete with animated/live action series and merchandise?

Whilst UK television viewers await the debut of Lost (teasers directed by Madonna and JLo photographer David LaChapelle) on Wednesday night. A few films, that are worth watching more than once, are being repeated. Jean-Claude Van Damme (AKA The Muscles from Brussels) is not an 'action hero' I'm particularly fond of. Yet Timecop (1994) is a riveting yarn from Dark Horse Comics scribe Mark Verheiden (whom responded to a letter I wrote Dark Horse in 1994). Even the wooden Mia Sara can't detract from the forgettable fun to be had. The first time I ever saw Timecop was on a NTSC THX-Certified DTS Laser Disc. The image and sound surpassed VHS and analog broadcast transmissions of the day.

A few of my observations concerning Flickr and Firefox were shared during last night's JMUG meeting. Appreciated.

Pure Shores

Last summer I was featured in the Alumni Association magazine, The Talbot, a Media Careers special (PDF download). Eight years prior to this, as a BA (Hons) Media Production student I savored the sights, sounds and salty air of Bournemouth beach. Today, I returned for the first time since 1996 in the company of very gracious hosts who kindly treated my Dad and me to a cod and haddock banquet in West Beach. The rival of any shoreside restaurant in the USA, one wouldn't be surprised to bump into the likes of "LC" and Lo (from MTV's Laguna Beach). Topics traversed Apple Computer, Bauhaus and the cinema of Steven Spielberg. Thank you for embellishing a memorable occasion.

Being a Mac user means I can't leverage Blogger's Picasa button! No fear because in steps Yahoo! with Flickr. An exceptional photo publishing platform. Flickr Uploadr is available in Mac OS X flavor too and is the perfect citizen. A flash-based photo gallery has been integrated into the sidebar.

DivX is increasing its market and mind share. And, as with RealPlayer, I can now author DivX content. Although the company's Mac support is far from startling, their lab indicates future improvements. Currently preparing demo clips.

eBay has made purchasing a breeze with tighter PayPal integration. Handy for those memorabilia bids.

Sony UK have announced official support for Mac OS X 10.4 Tiger in PlayStation 3. Can console gaming get any better than this?

Chez Fred

Dad missed my birthday this year. So, he treated me to KFC tonight. Brought back memories of eating like a 'barbarian' with longtime friend and fellow Bournemouth alumni Sunil Chamund. In 1996 Sunil arranged an unforgettable - and genuine - surprise party. And Nick Smith, Natasha Gann et al went to Chez Fred. That evening Bournemouth's award-winning Chez Fred restaurant was closed to the public. I don't drink alcohol, but the proprietor very generously donated a bottle of wine. A cherished birthday memory and a reminder of far less complicated times.

Tonight Amazon UK started accepting pre-orders for Nintendo DS (£99.99 or €149). Maestro Shigeru Miyamoto oversaw the development of the successor to the Game Boy brand. The dual screen concept will doubtlessly shape the future of gaming. The DS hardware package will come bundled with Metroid Prime Hunters: First Hunt, as it did in the USA.

Old Year's Night

Tonight's post is a 'review lite' of the year.

This week's 'flying visit' to East Anglia, home of my Father's family, has left me emotionally 'jet lagged'! Had a fantastic time (tinged with the bittersweet) indulging in retail therapy. Colchester's pace of life is exaggerated by its London commuter belt status. And now I can't wait for 2005 to arrive!

Most of my time has been centered around very serious personal matters. However, highlights of 2004 include (but are not limited to):

*Writing for Inside Mac Games
*Launching Nick Smith's site and blog
*Being featured in Bournemouth University's Alumni Association magazine The Talbot
*Alias magazine
*Classic arcade gaming
*Gmail
*Blogger
*Google AdSense
*Adding new affiliates to my site
*Saying farewell to Friends - could comedy BE funnier?

Looking towards 2005. Bloomberg beckons and Apple may finally launch the missing piece in its 'i' strategy, the 'headless pizza box' iMac, and secure the home Media Centre/Server crown once and for all. I'll be keeping a space underneath my Plasma in eager anticipation of MacWorld - San Francisco.

Disney's demographic channel

Reuters, my first employer following graduation from Bournemouth University, announced that the Mouse House is to soft launch the ABC brand on Freeview!



ABC1 bows in September. Launch lineup includes Once and Again, new Thirtysomething and Geena Davis Show. Bring on Alias series 4.

i'm lovin' it

Bournemouth University’s Alumni Association interviewed me for a special magazine feature focusing on graduates who are now successfully working in the media. The article was published in The Talbot (Summer 2004) magazine. Download the PDF here (13.9MB).

Point and click cinema

In the late '80s I cut my audio/video editing teeth on linear equipment i.e. three machine edit suites for video and 1/4 tape (chalk and cutting knife in hand) for audio. The mid 90's witnessed the advent, and rapid development, of non-linear, non-destructive workflows. It occurred to me that since that time all my editing has been Mac-based! In 2003 I revisited my production analysis written for December Duet (an original drama made during my final year at Bournemouth University). It is available as a PDF download.

Since the unveiling of Dashboard at the WWDC 2004 a debate has raged concerning Apple's alleged 'rip off' of Konfabulator. The following blog outlines the historical development of widgets, which found its genesis on the Mac platform many years ago.

Sleepy Hollow

Bournemouth University's Alumni Association would like to include me in Under the spotlight - focus on careers in the media - for an upcoming edition of The Talbot magazine. This is flattering news.

World of Warcraft shenanigans continue. DarkRyder met her untimely death courtesy of Shelob's spawn who had infested Night's Hollow! However, she's now resurrected as an Undead Warrior and achieved catharsis!

Revisited MacMAME this morning and played Namco coin-op shooters Burning Force, Dragon Spirit and Dragon Saber. The latter has a soundtrack on a par with the best in Japanese animation and evoked memories of Battle of the Planets, which was centred around the weekly adventures of Mark, Jason, Princess, Keyop and Tiny. It would be inexcusable not to mention 7-Zark-7 and 1-Rover-1! Camp fun for all the family!

My application to become a Figleaves affiliate has been accepted.

Seattle sans Frasier

I'll start this entry by bidding bon voyage to Frasier, Niles, Daphne, Martin and Roz! Tonight it's "Goodnight, Seattle" for the last time! Life without Frasier will be a little poorer. Michelle Branch articulates this sentiment best in her emotive ballad "Goodbye To You..."

Thanks to the ingenious invention that is sky+ (PVR), last evening I watched Sunday night's all-new episode of Alias, which guest starred Canadian director David Cronenberg (Rabid, The Dead Zone, The Fly and eXistenZ)! His cameo follows in the footsteps of silverscreen luminaries Quentin Tarantino, Ethan Hawke and Olivia d'Abo. Conscious was so good - a postmodern homage to the cinematic oeuvre of Cronenberg - that it commanded a repeat viewing!

Readers of the official Alias Magazine, published by Titan Magazines, can read my series comments in Issue #4's Dead Drop section. Look for Psychological Profile, which ties in with Frasier! On newsstands now!

The spring issue of The Talbot, Bournemouth University's Alumni Association magazine, arrived this morning. In the next edition they're focussing on careers in the media and are seeking contributions. So, it would be remiss of me not to respond to their clarion call!

As you may already know, I am a staff writer for Inside Mac Games (IMG). Currently I'm on the waiting list to join the beta test for Blizzard's upcoming World Of Warcraft - an online role-playing experience set in the award-winning Warcraft universe. In the meantime I've attempted (and failed) to download the latest patch (1.15) for The Frozen Throne! Blizzard is suffering from FTP overload! However, the game is one of my favourite (RTS) titles alongside Star Wars Galactic Battlegrounds and Clone Campaigns expansion pack! So, I'll keep trying... A new Neutral Hero, the Goblin Tinker, has been added to the game and many more enhancements.

Browser company Opera has released version 7.50 of its popular flagship application. However, I was disappointed to note that several bugs made it into the GM! The smart money is still on Firefox and Safari 2!

As I write, iTunes 4.5 is playing Life For Rent on shuffle play! Dido's lyrics are replete with rich narratives, which transforms, via iPod, my personal space when traversing the urban landscape!