The Sound Of Christmas

A Whole New World of Entertainment

Audible.co.uk is the UK's leading provider of downloadable spoken audio entertainment, information, and educational programming.

Audible has over 11,000 titles to choose from 400 content partners, including leading audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers, and business information providers.

Because there's no CD or cassette, Audible offer customers great audio content at prices well below the high street equivalent. All Audible titles are at least 30% off the high street RRP.

Customers can listen to Audible's titles and programmes either on a PC or Mac, iPod, hard-drive MP3 players, smartphones, PDAs, car navigation systems; in all over 220 different device types and models. You can even make a CD copy of your audio.

7 Up

iTunes 7 sports a blemished GUI, diminished by an absence of Aqua scroll bars, and Apple breaks another of its own HCI guidelines! However, I'm delighted to note the quiet inclusion of CD-Text (see Preferences/Advanced/Burning). This small feat only took 5 years to add!

Bootylicious

Mark your calendars for two important dates this week!

Starting with Tuesday September 12th and the launch of iTunes 7 (surely this update will warrant more than an incremental number change), store overhaul and iPods... I'd like to see CD-Text, AAC Plus and Vorbis support added to iTunes.

On Friday September 15th Nintendo Europe will officially announce the launch date and pricing of Wii. Approximately the size of three stacked DVD cases, Wii's elegant design makes it an inviting addition to your entertainment setup without monopolizing it. Thanks to the Wii Remote, you're given more freedom to place the console where it best suits your lifestyle.

Will Wii become Nintendo's iMac and reverse their desktop console fortunes? The pre-order queue starts here.

Kylie La La La

I've followed Kylie Minogue's career since Neighbours and developed an adolescent crush, on her, when she embarked on a pop path that has confounded and delighted critics in equal measure! Incidentally, the album Kylie was my first ever CD purchase after buying a Sony Discman D-88 in the summer of 1988.

Further to the above. I read with unfetered interest that Kylie begins her Homecoming Tour later this year! Must secure seats at Wembley Arena for her January 2007 concert dates.

When "Kylie - Showgirl; The Greatest Hits Tour", her sold out world tour, opened in Scotland in March 2005, it was her most ambitious show yet. The show itself was a triumph and represented Kylie's finest moments in music, performance and style and is an homage to the showgirl, one of the most exotic, decadent and sensual icons of our times. Inspiration came from the Moulin Rouge to the Folies Bergere, from the Doris Girls of the Paris Lido to the entertainment palaces of Las Vegas, from the underground burlesque bars of Soho to the Busby Berkeley musicals of the 1930s. Kylie's show pays tribute to the showgirl in all her forms and guises.

Super Sounds

In April 2005 I reviewed John Williams' Revenge of the Sith score. This morning a preview copy of the Superman Returns (merchandise link) soundtrack CD (pre-order link) fell through my mailbox courtesy of Rhino Records! The retail release is July 10th.

Expectations are nigh high! Would John Ottman's score rekindle the sense of wonder that this author experienced at the Exeter ABC Cinema (circa 1978)? Would my yearning for unabashed heroics transport me back to Boots Corner and take flight?

01 - Main Titles (3:49)

John Williams' iconic leitmotif, arguably one of cinema's greatest and most recognizable themes, returns with joyous gusto, aplomb and new flourishes. Christopher Reeves' memory has been served well.

02 - Memories (3:07)

After the jubilant opening salvo. This cue quotes from John Williams' original score before Ottman begins his enigmatic musical journey. Shades of Fortress of Solitude and Batman Returns (1992).

03 - Rough Flight (5:13)

Bernard Herrmann collides with John Williams heroics in a dazzling display of audio pyrotechnics.

04 - Little Secrets / Power of the Sun (2:49)

The original Love Theme is introduced albeit in troubled form!

05 - Bank Job (2:21)

In a post 9/11 world there's no reprise of John Williams' humorous March of the Villains. Owes much to the brutal mechanization of movie composers Jerry Goldsmith and Basil Poledouris.

06 - How Could You Leave Us? (5:49)

Conjures comparison with Edward Scissorhands (1990) and The Abyss (1989).

07 - Tell Me Everything (3:13)

Enter the Jedi! Feel the force.

08 - You're Not one of Them (2:22)

A solitary piano and yearning string section, which culminates in a choir. Ultimately left unresolved.

09 - Not Like the Train Set (5:12)

Urgency underpins the action with a nod to John Williams' abstract Close Encounters of the Third Kind (1977) soundtrack! Overcast by the shadow of Hugh Jackman's Wolverine (The X-Men).

10 - So Long Superman (5:31)

The main theme is deconstructed as discordant voices duel string and wind instruments. This orchestration is an evocation of Return of the Jedi (1983) and Revenge of the Sith (2005)!

11 - The People You Care For (3:27)

Batman (1989) confronts Darkman (1990).

12 - I Wanted You to Know (2:56)

Sentimental and poignant.

13 - Saving The World (3:12)

Does what it says on the tin.

14 - In the Hands of Mortals (2:11)

Melancholia meets enchantment.

15 - Reprise / Fly Away (4:15)

If this doesn't draw a tear... Life affirming.

In summation. I'm giddy from my sonic flight and can't wait to see the movie. Rejoice in the return of THE super hero! My deepest regret, listening to Superman Returns, is that my Mother will never be able to savor the sights and sounds of Krypton as she once did...

Planet PlayStation

Yesterday's announcements from SCEE have sent a clear message to gamers and competitors alike. Sony has no intention of losing its enviable market share (it is theirs to lose)! PS3 and Ceramic White PSP are coming to stores near you.

I've drooled over the prospect of adding the Ceramic White PSP to my lifestyle mantelpiece and intend to order one over the coming weeks.



And then there's this black beauty. Sony's third-generation PlayStation embodies sleek chic.



Sony's official PS3 press announcement read thus.

Equipped with Blu-ray and Pre-Installed HDD Available at €499 (20GB HDD) and €599 (60GB HDD)

Los Angeles, May 8, 2006 – Sony Computer Entertainment Europe (SCEE) announced today that it would launch PLAYSTATION®3 (PS3) in “Clear Black” throughout mainland Europe and Australasia on November 17, 2006, as part of a worldwide simultaneous launch.

PS3 is the most advanced computer system that serves as a platform to enjoy next generation computer entertainment contents in the home, realized through the combination of Cell and RSX™ processors, in addition to the playability of a vast catalog of PlayStation® and PlayStation®2 software titles.

Having Giga-bit Ethernet and a pre-installed hard disk drive (HDD) as standard in PS3, users will be able to download a variety of contents as well as access on-line games and services over the network.

Equipped with basic input/output ports, PS3 supports a broad range of displays from conventional NTSC/PAL standard TVs to the latest full HD (1080i/1080p) flat panel displays, offering the joy of the most advanced computer entertainment contents to homes around the world. For use in living rooms, maximum heat and noise reduction has been achieved with a noise level equivalent to that of the current slim-line PlayStation 2.

With the overwhelming computational power of the Cell processor, PS3 is capable of playing back content from Blu-ray (BD) disc at a bit rate of multiplex 48Mbps with ease, the maximum bit rate defined in BD standards.

The new controller for PS3 has been created by refining and improving the world’s most popular PlayStation controller which has shipped more than several hundred million units worldwide. The controller for PS3 employs a high-precision, highly sensitive six-axis sensing system that is capable of processing all parameters within the controller itself, thereby eliminating the need for any additional settings on the display system. By applying this technology, it will become possible to freely control the PS3 system over the network.

While further enhancing the joy of entertainment on PlayStation 2 and PSP™ (PlayStation®Portable), SCEE will vigorously promote PS3 as the next generation computer entertainment platform.

PLAYSTATION®3

Product name: PLAYSTATION®3

CPU: Cell Processor

GPU: RSX™

Sound: Dolby 5.1ch, DTS, LPCM, etc. (Cell-based processing)

Memory: 256MB XDR Main RAM, 256MB GDDR3 VRAM

HDD: 2.5” Serial ATA ○ (20GB) ○ (60GB)

I/O: USB 2.0 ○ (x4)

MemoryStick /SD/CompactFlash - ○

Communication: Ethernet ○ (x1 / 10BASE-T, 100BASE-TX, 1000BASE-T)

IEEE 802.11 b/g - ○

Bluetooth 2.0 (EDR) ○

Wireless controller (Bluetooth) ○

AV Output: Screen size 480i, 480p, 720p, 1080i, 1080p

HDMI OUT - ○ (x1 / HDMI NextGen)

AV MULTI OUT ○ (x1)

DIGITAL OUT (OPTICAL) ○ (x1)

BD/DVD/CD Drive (Read Only): Maximum Read Speed BD 2x (BD-ROM)

DVD 8x (DVD-ROM)

CD 24x (CD-ROM)

SACD 2x

Dimensions: Approximately 325mm (W) x 98mm (H) x 274mm (D)

Weight: Approximately 5 kg

About Sony Computer Entertainment Europe Ltd. As at 27 April 2006

Sony Computer Entertainment Europe (SCEE), based in London, is responsible for the distribution, marketing and sales of PlayStation®2 and PSP™ (PlayStation®Portable) software and hardware in 104 territories across Europe, the Middle East, Africa and Oceania. SCEE also develops, publishes, markets and distributes entertainment software for these formats, and manages the third party licensing programs for the platforms in these territories. Between its European debut on 24th November 2000 and the end of March 2006, over 38 million PlayStation®2 consoles have been shipped across the SCEE territories, over 103 million worldwide, making it one of the most successful consumer electronic products in history. Between its European debut on 1st September 2005 and the end of March 2006, over 5 million PSP systems have been shipped across the SCEE territories, with over 17 million shipped worldwide since its Japanese launch in December 2004.

Cel-shaded Conspiracy

XIII Preview
With the imminent release of the Macintosh port, it’s IMG’s “raison d’être” to tackle the daunting task of another hands on preview courtesy of those fine folks at Feral Interactive. And a rare chance for this comic book fan (and former fine art student), with a predilection for the darkness of an American McGee's Alice, to experience an interactive 3D graphic novel (graphic novel was a term coined by Will Eisner; comic book with high quality storyline and artwork)!

If 'Retro Chic' found favour in the quirky No One Lives Forever (a veritable pastiche on UK television's The Avengers) and its first sequel, XIII takes the First Person Shooter (FPS) into the labyrinth of 1920s to 1950s inspired Dark Deco!

Bourne Again
Acclaimed French/Canadian developer UbiSoft serves up a self-referential cocktail in which film director Doug Liman’s The Bourne Identity stars X-Files superstar David Duchovny (as the titular character). And Adam West (General Carrington), television’s 1960's Batman, returns to a setting that acknowledges the source medium that made him an international cult star - comics.

XIII is a complex story of betrayal and intrigue based on the original French comics by Belgian's William Vance and Jean Van Hamme (who took part in the production of the game). The XIII comic series is replete with Byzantine plots that would delight even the most demanding fan of ABC’s award-winning Alias television show.

JFK
The President of the United States has been assassinated, and everyone (most notably large guys with guns) possesses a compelling argument that you did it - even you're not sure! As the story unfolds, you'll learn more about your mysterious past, discovering that you are number XIII (shades of Patrick McGoohan's seminal TV series The Prisoner) of The Twenty, a mysterious shadow organization, the group that perpetually want to see you dead - there's no chance to discuss 'issues' over cappuccino in a virtual Starbucks. Your eventual goal will be to clear your name of all charges (if only you could remember your name…), and get to the bottom of the conspiracy.

So it's clear that the story is a little more involved than, say, the riveting backstory behind Doom! To do the job, you'll have the usual array of weapons and gadgets. There are 13 standard weapons, including crossbows, assault rifles, and rocket launchers, each with an alternative-fire mode. You'll need to choose your weapons and tactics carefully, though, because you can only hang onto four weapons at a time.

Sans Solo
XIII is not entirely flying solo as he is accompanied, at key stages, by Major Jones, a sassy female operative voiced by multimedia diva Eve. During these stages XIII will have to battle enemies while receiving covering fire from Jones and vice versa. So be prepared for some bombastic fire fights with other characters as you progress through the game.

As a counterpoint to the adventures with Major Jones. Adam West’s General Carrington is bereft of any armoury, so it’s your duty to act as human shield during the rescue mission!

On top of the world
From the Baywatch opening (not the O.C?) to rooftops and snowy mountains, the Mac gaming tourists amongst you will be well served as you unearth that most post-modern of questions – Who am I?

Enter the Manga Dimension
Sometimes referred to as Manga Dimension or non-photorealistic rendering (NPR), cel-shading arguably entered the video game lexicon in the seminal Jet Set Radio Future (JSRF) (From Sega development team Smilebit) and, perhaps most famously, changed the look of Link in Nintendo's The Legend of Zelda: The Wind Waker. XIII (Thirteen) witnesses cel-shading's maturation in the over populated FPS genre!

Cel-shading is much more than a superficial stylistic treatment in XIII; it underscores the game’s comic book roots and (excuse the terrible pun) is a marvel to behold! For example when an enemy appears, he'll get a close-up panel (a comic book convention sometimes referred to as a box or frame) of where he is, so you can home in on his exact location. A direct kill will witness his timely demise in delicious close-up and includes the obligatory "AARRGH!" (literally known as a sound effect by comic book artists)!

Gore
While not on a par with the visceral thrills of a Resident Evil, XIII splatters stylised blood in a manor akin to Grand Theft Auto (GTA). This title is not recommended for the faint hearted or younger players - an audience it adroitly askews.

Battling the Dark Side
The single player (SP) mode serves a solid storyline encompassing 13 missions (which cover 34 levels) that should take around 25 hours to complete (depending on the player's prowess). However, the multiplayer (MP) option secures greater repeat play value since it combines all the modes present in the PS2, GameCube, and PC and XBOX iterations. And the crowning achievement is that all too elusive Holy Grail - Mac vs. PC conflict!

It must be noted that Bot AI in SP mode isn't showcased in a glowing manner here, but MP Bot engagements can get intense!

God is in the detail
Although my preview hardware was within the minimum system requirements (Mac OS X 10.3.3, 800 MHz iMac G4, 512 MB RAM and GeForce 2MX), sound was choppy and poorly synced. The sound effects are all in a real time. Therefore evincing the need for more powerful hardware such as nVIDIA's GeForce FX 5200 Ultra and ATi Radeon 9800 Pro cards.

Adorned in the stylistic trappings of the graphic novel tradition and powered by Epic games’ UnrealEngine2 (a.k.a. Unreal Warfare Engine); Ubi Soft invested 2 years of R&D! XIII promises to deliver a unique, if not signature, FPS experience for those gamers whose hardware can smoothly run Tom Clancy’s Splinter Cell and the Unreal Tournament franchise.

Feral Interactive sent IMG a preview based on a very robust beta build (1.0 RC5), which is the current version being tested by Ubi Soft. Last minute tweaks and installation changes (my preview copy was sent on 3 CDs) notwithstanding, it gave this reviewer an excellent insight into what to expect. The retail edition of XIII will bow on a single DVD. Feral Interactive's Edwin Smith kindly shed light on the decision to adopt the DVD medium:

• To preclude the need for a multi CD ROM release
• Only one installer needed
• Nice and clean look and feel with 1 disk, which is more "Mac like"
• Add enhanced video files with higher file sizes, desktops and even other demos to a game DVD
• Anti-Piracy

Left To My Own Devices

The following chronicles my web exploration and site building exploits. The original article appears here.

Before Google
For anyone who maybe remotely interested. My online adventures began in the summer of 1995. A friend and I spent a leisurely Sunday afternoon in Bournemouth University's main library surfing the net using Netscape 3 Gold (back in the days before the advent of 'free' browsers and IE domination).

The first site I ever visited was Sony USA. And the first search (using Yahoo!) was for actress Winona Ryder. Does anyone remember this site from Eric Harshbarger?

http://www.auburn.edu/~harshec/WWW/Winona.html/

After graduation, and now in gainful employment at Reuters Business Information (RBI), I signed-up with AOL UK (1997).

Google Earth
In the spring of 1998 Macworld UK magazine carried a free copy of Claris Homepage on a cover CD.

Claris Homepage may have lacked the 'killer' features of GoLive and sexier Dreamweaver (the de facto WYSIWYG), but it was simplicity itself, and, above all, no hefty price tag if the medium left me cold. So, whilst off work and suffering from flu, I started to put together an inaugural web site: an eclectic mix of original work and pop culture commentary (Buffy, Party of Five and Dawson's Creek had captured the zeitgeist of the day). This went live on AOL within a week. The first 50 hits came soon after!

By 1999 AOL UK had all but alienated its Mac customers due to tardy application updates and lacklustre support, and I searched for an alternative ISP and web host.

Things That Make You Go Hmmmm
Regrettably this was a time prior to the wonder known as the SuperDrive (CD/DVD burner). Despite owning an Iomega Zip 100 Drive the notion of regularly backing up critical data (on my trusty Performa 5200) had yet to enter my design DNA. In a move that would cost me two-years of web development (including graphics, text et al), I accidentally deleted my offline site. For the record let it be noted that Microsoft's Outlook Express 4.x (for Classic OS) should take some of the responsibility too!

The next two years went by and I couldn't muster any enthusiasm to rebuild the site from scratch - work and the transition from Classic OS to OS X took their toll. Then a friend asked me why I hadn't setup a new site? The honest answer was creative apathy. Apologetically I loaded Adobe PageMill 3 (included with my iMac DV SE) and...

Step By Step
Adobe offered registered PageMill 3 users a free upgrade to GoLive 5! In the space of a weekend (burning the midnight oil as-it-were) I'd assembled a basic site and uploaded this to my iTools (.mac) iDisk after some trial and error (mostly the latter) - there were no tutorials explaining how to use original templates and requests (to other iTools webmasters) for help went unanswered. Where had the sense of community gone?

Once I rolled out the site (2.x) the next phase was to promote reciprocal links, SEO (Search Engine Optimisation) and consider affiliate marketing (pays the hosting bills and adds a high degree of editorial responsibility on my part).

American Idol
A cute recollection. I'd applied to join The Iconfactory's deskbase in 2003. That same afternoon I received a confirmation, from Mindy Weaver, warmly welcoming me to their extended family. At the time Kelly Clarkson's 'Moment Like This' was playing on the radio.

Express Yourself
By 2004 this site had come of age and I could no longer ignore the allure of the brave new frontier: blogging + RSS (Really Simple Syndication).

Although blog templates are often criticised for their homogeneity, ease of use and extendibility far out way any negatives. Critical code updates can be applied to an entire site sans the time-consuming tedium of modifying each page individually. This leaves authors to focus on 'content'.

Think About The Future
2006 and, now that the blog is well established (Buffy and Dawson have graduated out of our lives), it's time to revisit this site again replete with a new 'bag of tricks'! The incumbent GoLive has made way for the sassy Macromedia Studio 8 triple threat (Dreamweaver, Fireworks and Flash).

What "dreams" may come?

The Gemini Apes

The following is a reprint of a feature written for my online portfolio.

A fascination with media production began when I was bought an Hitachi portable tape recorder (its contemporary is an Apple iPod). I started recording off television, my favourite television shows, and listening to the sounds back without the picture (mentally envisaging a different version). I would narrate stories and record conversations and sounds. It became a form of education via entertainment.

This acute interest in "the theatre of the mind" also encompassed Radio drama! The catalyst was BBC Radio Four’s dramatisation of ‘The Lord of the Rings’ (1981).

During the second year of the BA (Hons) Media Production degree I specialised in audio and video. And undertook a 10 minute audio documentary. Director Dirk Maggs kindly agreed to an interview concerning his successful comic book to radio adaptations, which included DC Comics' 'Batman: Knightfall' (1994) and 'Superman: Doomsday and Beyond' (1993).



In 1998 Dirk invited me to work on 'The Gemini Apes'. My role as a studio assistant involved foley and sourcing original and prerecorded material from The Soundhouse's extensive recording library. This included original content from Skywalker Sound.



Meeting Christopher Lee (he played the character of Drake) during 'The Gemini Apes' recording sessions, was truly a defining moment. This was prior to his career renaissance in 'The Lord of the Rings' and 'Star Wars' prequels. He is a gentleman and formidably intelligent. Christopher regaled us with myriad anecdotes. One of which concerned Johnny Depp with whom he was shooting Tim Burton's 'Sleepy Hollow' (1998).

From a journalistic perspective. Breaks during the recording sessions were a plumb opportunity to network with writers from Starburst, SFX and Dreamwatch magazines.

Christmas Decade

This Christmas marks ten years of Mac ownership! Time has flown since I unwrapped the Performa 5200 and took those first tentative steps into new media authoring and WarCraft!

CPU
*CPU: PowerPC 603
*CPU Speed: 75 MHz
*Bus Speed: 37.5 MHz
*Data Path: 64 bit
*ROM: 4 MB
*RAM Type: 72 pin SIMM
*Minimum RAM Speed: 80 ns
*Onboard RAM: 0 MB
*RAM slots: 2
*Maximum RAM: 64 MB
*Level 1 Cache: 8 kB data, 8 kB instruction
*Level 2 Cache: 256 kB
*Expansion Slots: 1 LC PDS, comm, video i/o, TV

Video
*Monitor: 15" CRT (built-in)
*VRAM: 1 MB
*Max Resolution: 832x624

Storage
*Hard Drive: 500 MB
*ATA Bus: IDE
*Floppy Drive: 1.4 MB SuperDrive
*Optical Drive: 4x CD-ROM

Input/Output
*ADB: 1
*Serial: 2
*SCSI: DB-25
*Audio Out: stereo 16 bit mini
*Audio In: mono 16 bit mini
*Speaker: stereo
*Microphone: mono

Miscellaneous
*Codename: Trailblazer, Bongo, Rebound, Transformer
*Gestalt ID: 41
*Power: 125 Watts
*Dimensions: 17.5" H x 15.1" W x 16" D
*Weight: 47 lbs.
*Minimum OS: 7.5.1
*Maximum OS: 9.1
*Introduced: April 1995
*Terminated: April 1996

Here's to another decade of delights.

Hang On

Yesterday I met an Aunt and cousin in town. Whilst loading the car we witnessed another driver reverse into a row of parked motorcycles - knocking them all over accompanied by a resounding "crunch!" Clearly most, if not all, the bikes had sustained some degree of damage. However, the driver sped away before onlookers could stop her! A testament to the self absorbed society that we live in; one where accountability is a rare commodity! Call the lawyers...

I won't be one of the elite gamers opening an Xbox 360 under the tree this holiday. But, I'm impressed by the new console's backwards compatibility - the software emulator (updates can be downloaded for free and burned to CD - surely a boon for hackers?) supports an impressive 200 games and anti-aliasing for a smoother image.

Knowing that this blog has an avid readership combined with Podcast subscribers is most flattering. Glad I made your day Jim and thanks.

Triangle, Square, Circle and Cross

Today Sony's PlayStation celebrates ten years since its official European introduction. My first PlayStation experience was on an NTSC import machine from Japan and predated the PAL release by several months.

Glimpsing Battle Arena Toshinden and Ridge Racer drove me back into the arms of console gaming after a four year hiatus in the wake of the spectacular SNES Super Star Wars trilogy. However, it wouldn't be until 1998 that a PlayStation would appear alongside my MiniDisc and Discman!

N64 swayed me away from Sony's CD-ROM console with Mario 64, Mario Kart 64 (racing against Jari is the stuff of gaming greatness) and Star Wars Shadows of the Empire. Not to overlook the female distractions too - Emma how did the career at Deloitte & Touche pan out? This was a brief diversion from the PlayStation path. The allure of the Tekken franchise was irresistible after I loaned a machine from one of my co-workers at Reuters!

A PSP has yet to grace these hands!

Back to the future without an Atari Paddle

Crumbs Chris Cringle! Autumn is in the air and holiday consumables are creeping into stores near you! Here's a fine product that may not see release until November 2006. Nintendo's Revolution console.



The Revolution's remote controller - Nunchuk - may ordain a seismic change in the gaming interface experience tantamount to the advent of Macintosh and mouse (1984). I sincerely hope that Apple's industrial design team is earning royalties from both Nintendo and Microsoft for all this gorgeous imitation 'ice' kit.

Opera 8.x is now free and its file transfer and security capabilities are worth your while! With Safari, Firefox and Opera available at no cost to consumers, I can't see any justification for buying and/or using OmniWeb!

Odeo and FeedBurner are now offering widgets du jour. Grab 'em while they're still hot and delicious.

The promised Lost S1 DVD review is behind schedule - I've only reached disc 3 (and watched all the extras). The show deserved the Emmy for best drama. Evangeline Lilly and Maggie Grace are too cute for words. But, real world problems take precedence. In the meantime here's a music CD recommendation. You could do worse than buy a copy of Pussycat Dolls - PCD. Don't expect an album that surpasses Destiny Child's The Writing's On The Wall (1999).

Back to the new .mac goodies.

The Right Stuff

My cousins, Hazel and Hayley, have safely returned from the USA. They were holidaying in Florida when Katrina struck. Though the State of Florida was on the periphery, Hayley video taped the storms that hit. Journalism clearly runs in the family. Welcome home.

A friend recently inquired as to whether or not I had considered audio blogging? The answer is an emphatic yes. But, there's no timetable for its introduction - I'm a perfectionist and quality matters. You never know though, the CD Spin Doctor Desktop Recorder Dashboard widget (included in Toast 7) looks mighty enticing from here!

Lost arrived this morning and the gatefold presentation is sublime. On the horizon, the DVD extras included with Battlestar Galactica (2004): Season One R1 reduces the R2 release to vanilla status! Even the box art is far cooler.



An Atarian since 1980. I'm beta testing a popular Mac OS X emulator for XL/XE that's undergone an overhaul with added Tiger polish.

Anyone else notice that iTunes Music Store wasn't updated yesterday? I'm off to get to grips with RSS Writer (documentation not included).

Street Smarts

After a nine-month wait European consumers can now enter the fourth space. Say hello to Sony PSP. Want one? You'll need to get in line, I'm afraid.



Photo reproduced with the permission of the copyright holders SCEE.

In keeping with the Sony theme. Lets focus on their music (software) group and a confession. I listen to Jessica Simpson! Before you flame me. In 1999 I received her debut CD (as part of a larger package) from a US-based friend: Jessica's vocal range and control impressed. Prior to this, Sony had included "Did You Ever Love Somebody" (performed by Jessica) in the first Dawson's Creek soundtrack compilation. So, I was already a convert. MTV's Newlyweds introduced us to her solipsistic lifestyle and has become appointment television (Pepsi floater optional).

Last weekend Michael and me perused the shelves of MVC. The subject of Madonna's next album arose: I had no idea about the forthcoming release of Confessions on a Dance Floor! Madonna sagaciously appears in the new commercial for Motorola's ROKR iTunes phone. The new single "Hang Up" is also premiered during the advertisement. Does this mean that her back catalogue will shortly be made available on the iTunes Music Store? Madonna's lucrative deal with Microsoft (under the Windows Media brand) always struck me as spurious and inherently limiting. Maverick (co-founded by Madonna) artists were introduced last year.

Sweet syndication Batman! Last night FeedBurner got a face-lift and now my Flickr photos are spliced into the feed. The guys and gals at FB are a talented bunch. I'm delighted to have partnered with them. I urge all site managers, overseeing rich media feeds, to do the same. Incidentally, Flickr Uploadr is now at version 2.0.

Firefox fans are in for an early Halloween treat this year. Version 1.5 should bow on October 28th. For further information and news on the Public Preview Beta, point your browser here.

Fahrenheit 451

Why should anyone buy Toast 7 Titanium if they're already using iLife '05 and/or Toast 6? A simple answer is problematical. However, after putting Roxio's latest iteration through its paces, I can't imagine not seeing Toast 7 taking pride of place in the Dock!

Firstly, Toast now incorporates the DVD compression features showcased in Popcorn (presumably defunct). Copy and compress a 9GB dual-layer DVD to a standard 4.7GB recordable DVD disc. Avoid artefacts by extracting the movie, language and audio format of your choice only.

A DivX Pro codec license is available out-of-the-box and interpolates with iMovie HD and Final Cut HD. The DivX format is reaching critical mass and DivX HD DVD players are all the rage. On the strength of this new feature alone, I'll be purchasing a DivX Certified DVD player and will post my experiences.

Toast 7 Titanium’s video conversion doesn’t end with DivX, either. You can convert videos to versions suitable for playback on 3GPP-equipped cell phones and handheld devices, H.264 players and Sony’s PlayStation Portable (PSP). Now that Sony's PSP is clearly a global phenomenon and UMD (contradictory to expectations) is meeting little consumer resistance (Woolworths' aisles are flooded with pre-order movie product). The AVC encoding facility maybe enough to compel users to upgrade.

I've experimented with converting H.264 to Sony's specified codec with subjectively pleasing results, but will be better placed to judge its effectiveness when review hardware arrives: the teaser trailer for Serenity was reformatted from 480 x 204 to 368 x 208 and black bars automatically inserted.

The only fly in the ointment, aside from a few quirks (to be expected with any new software release), is the acquiescence to Apple's dictate regarding music purchased from iTunes Music Store; you cannot burn a CD or DVD using songs legally downloaded! This 'feature' was introduced in Toast 6.1.

Do you want more?

Hidden Hawaii

What a most splendid haunted house theme park ride Lost is! The signature scene, something screaming in the jungle, was on a emotional par with the T-Rex attack from JP - nerve shattering... The 'live' jet engine on the beach... The derelict cockpit - where were the Raptors and Dilophosaurus? And isn't there an aura of Spielberg meets Chris Carter about it all?

After reading that Channel 4 has cut the UK episodes (intense scenes et al) and the cynical R2 two-part box set release (£27.99 each) due to a lucrative deal with Disney's Buena Vista. I've already ordered the R1 complete box set from CD-WOW @ £31.99 (no import duties). Hopefully to be savored post real life trauma or in the very midst of next month! If you're interested here are the delicious details:

*7 Discs
*Never-before-seen, extended uncut version of the original pilot
*Exclusive, in-depth behind-the-scenes looks at the making of the show
*Backstage with Drive Shaft all-access pass behind the music
*The art of Matthew Fox featurette
*'Before They Were Lost' original casting tapes
*Blooper reel
*Rare deleted scenes
*Multiple filmmaker audio commentaries

David LaChapelle's Lost promos have met with mixed critical reaction. The conventional US trailers pander to the needs of the lowest common denominator. As an artist (myself) accessibility has its place, but sometimes it's desirable to challenge the viewer too! Wouldn't you agree?



Sony Online Entertainment now offers Mac gamers a 'free' (credit card details required) trial of EverQuest. Having played both EverQuest and Blizzard's World of WarCraft, there's no prize for guessing which one I prefer!

Although the key pads are an acquired taste, I adore Sony Ericsson mobile phones. My trusty T-310 still elicits coos of delight from avid admirers! The new W800i Walkman™ model could be a suitable future successor.

The Final Countdown

The year 1996 forms a convenient segue from the last post and ties-in with today's safe return of space shuttle Discovery. Prior to completing my final year at Bournemouth, I graduated from console gaming (only to return a few years later with the purchase of a PlayStation) to PC/Mac.

My Macintosh Performa 5200 introduced me to the rich CD-ROM tapestries weaved by LucasArts at the peak of their powers. Dark Forces (favorite FPS), Rebel Assault II - The Hidden Empire (completed between sending off an application to Reuters and accepting the position) and The Dig (demo). The latter remained an enigmatic curio (I'm familiar with Alan Dean Foster's soft cover novel) until this morning, when I obtained a copy of the full game (PC) and played it via the venerable ScummVM.

Based on a story by Steven Spielberg, with dialogue written by Orson Scott Card (The Abyss), the apocalyptic narrative presages Hollywood's meteor movies Deep Impact and Armageddon. The Dig's hand-drawn and animated game art looks fresh and inviting in 2005. Surely this was a franchise in the making replete with animated/live action series and merchandise?

Whilst UK television viewers await the debut of Lost (teasers directed by Madonna and JLo photographer David LaChapelle) on Wednesday night. A few films, that are worth watching more than once, are being repeated. Jean-Claude Van Damme (AKA The Muscles from Brussels) is not an 'action hero' I'm particularly fond of. Yet Timecop (1994) is a riveting yarn from Dark Horse Comics scribe Mark Verheiden (whom responded to a letter I wrote Dark Horse in 1994). Even the wooden Mia Sara can't detract from the forgettable fun to be had. The first time I ever saw Timecop was on a NTSC THX-Certified DTS Laser Disc. The image and sound surpassed VHS and analog broadcast transmissions of the day.

A few of my observations concerning Flickr and Firefox were shared during last night's JMUG meeting. Appreciated.

Tales From The Bat Cave

In 1994 BBC Radio One broadcast Batman: Knightfall and enthralled lunchtime listeners. Bob Sessions played the titular role with such panache and gravitas that many Batfans, myself included, consider his to be the definitive performance. When Bob emotes “If you’re threatening me, get in line!”, he’s not bluffing.

In 1996 I was introduced to Bob Sessions, by Dirk Maggs, and asked him if he would like to participate in my video major December Duet, which was in pre-production for a summer shooting schedule. Nick Smith, my long time friend and creative partner in crime, wrote an astonishing poem for the screenplay and Bob generously agreed to perform it.

Far from passion, pain and guilt
In caverns far from inn or church
Their kind in coldness ever dwell.
With folded wings they take the hanged man's perch
Dead men's spirits in the air
Blind to the fate that nature gave
We envy their winged escape
Yet share their destined grave.
So high yet seeing naught but dark
Our souls with burdens great
Leathered limbs caress the sky
Gods blinded by the weight
The wheel turns, the spirit memories remain,
A never changing face,
More sooted than the world below
Too numb to change their place.

Dirk Maggs recorded the performance at the award-winning Soundhouse Ltd Recording Studios in May of that year. And has kindly taken the time to transfer the original DAT studio master to CD-R. d you are the man!

Listening to it again after all these years (I seldom revisit self-produced creative), I deeply regret not making more of its raw narrative power. Although Bob Sessions is no longer alive, this is a small tribute to his memory from two Batfans. Here, for your delectation and listening pleasure, is Bob's incomparable reading of Nick’s poem (MP3).

Smooth Criminal

Watching Michael Jackson Moonwalk to freedom from the Santa Maria courtroom gave me pause to reflect on this once enigmatic, and revered, pop icon. Where does he go from here?

Second acts are rare and Michael Jackson's altered popular music forever with the release of Thriller (1982). Motown 25: Yesterday, Today and Tomorrow (1983) was a once in a lifetime moment and one Michael Jackson is unlikely to reprise. The success of Thriller, its singles and ground breaking videos was a landmark achievement and music producer Nile Rodgers was famously quoted as saying "There's the music industry before Thriller and there's the music industry after Thriller." An overstatement? I don't think so.

This commercial juggernaut had a negative effect on Michael Jackson who became obsessed with the notion of unit sales for Thriller's first sequel and surgical transformation (America is a shrine to solipsism). He expected to sell 100 million copies of Bad (1987) and crafted songs around the technology of the day (arguably inspired if somewhat dating). At the time I bought a CD player in order to own the bonus track (a concept taken foregranted now) Leave Me Alone.

Citing creative differences with Quincy Jones during the shelved recording of Decade (footwear giant LA Gear signed a $60 million endorsement deal, "Unstoppable", to promote the album and Love Hewitt starred in TV Spots), Michael enlisted Teddy Riley. Dangerous (1991) merged R&B, Rock and Pop with New Jack Swing. The influence of the 'Dangerous sound' can be heard in 2005.

Subsequent album releases were overshadowed by the Jordan Chandler scandal and Michael Jackson's marriage to Lisa Marie Presley. This culminated in a serious financial dilution of Jackson's hits collection (at one time more valuable than any other artist) and the rush release of HIStory Past, Present and Future Book 1 (1995). Disc 2 spawned the classics Scream, They Don't Care About Us and Stranger In Moscow.

Invincible (2001) was hailed as the comeback album. Yet, the inclusion of too many producers (including Darkchild) culminated in a stagnant sound and at great expense to Sony ($20 million). Michael's mantra became "Sony sucks", which recalled George Michael's "Phony"!

After a period of R&R, he will need to sort out his finances and begin to liquidate his assets (perhaps selling his remaining investment in the Beatles catalogue to Sony). His Sony recording contract expires in December, but better the devil you know Michael. He'll have to renegotiate, but with far less generous terms than in 1991. Mariah Carey and George Michael discovered virtual obscurity following splits with Sony. The latter artist, ironically, returned to the fold in 2004.

Jackson should consider performing again. A new studio album produced by Quincy Jones backed by those alluring greatest hits, showcased either on tour or join fellow Sony artist Celine Dion in Las Vegas (the perfect setting).

MJJ as 'celebrity brand' is dead. Yet, the gloved-one may get the last laugh with the power of song (his unique selling point) and see his back catalogue on UMD (Universal Media Disk).