shop@Panasonic

For my birthday, last Wednesday, I received a Panasonic DMR-EZ47:

*2-in1 DVD & VHS Combi
*Full HD 1080p Up-Conversion
*DVB-T Tuner and 7 Day EPG
*HDMI with VIERA Link
*Super Multi Format - Record and Play ALL DVD Formats
*Super Easy GUI
*Dual Layer Compatible
*16X - R Compatible
*DV-in
*MP3, JPEG from -R
*500 Line LP Mode
*1 Sec Quick Start and Record
*VHS to DVD Refresh Dubbing

Ultimately, I decided that a built-in HDD was overkill! As it was my birthday, the sales person made the recorder multi-region and included a HDMI cable/DVD-R pack gratis! That puts shop@Panasonic on a par with the Sony Centre for customer service.

My various College and University video productions will be transfered from VHS to iTunes via this paradigm:

VHS > DVD > HandBrake > iMovie > iTunes!

Next month Apple will start shipping Time Capsule 1TB and my pre-order is in! Review to follow.

Have a great weekend... I'll be clearing out clutter from the garage! It's surprising how much junk gets accumulated!

Reluctant Spice World

When I began my tenure at Reuters in 1996, the Spice Girls appeared on the pop scene and, mentored by their manager Simon Fuller, sold the ideological premise of "Girl Power!" wholesale to the masses.

This equated to a license to print money and, whatever you may think of the Spice Girls musical oeuvre, there's no denying Fuller's conquest of the retail aisles! From CDs to posters and toys to sweets, the Spice Girls foreshadowed the arrival of Bratz and the brand dilution of Barbie!

Incidentally, Victoria Beckham (then Adams) AKA Posh Spice, allegedly auditioned for a Bournemouth University BAMP production prior to the Spice Girls! Please don't ask me for details as I don't have any further information!

In anticipation of their upcoming tour...

I’M RELUCTANT SPICE, MEL C TELLS GRAHAM NORTON THE GRAHAM NORTON SHOW

10.00 pm, Thursday 25 October 2007 (repeated Sunday), BBC TWO

MELANIE ‘Sporty Spice’ CHISHOLM confirms she was slow to sign up for the Spice Girls’ forthcoming world tour when she joins GRAHAM NORTON this week.

‘I was Reluctant Spice’ she says, ‘I was the last to make my decision because it was a hard decision to make .. I was scared we couldn’t do it again. It was a weird time of my life, I had a lot of personal s**t to get over after the Spice Girls.’ But she denies press rumours that she was bullied; ‘I never said that. How can they quote you? I wasn’t bullied at all. .. I just love the British tabloids, they’re so imaginative! In America they’re more of a joke.’

About the forthcoming single she says they all share the singing honours; ‘We all sing the chorus, we all have an equal part in the song .. it’s a very ‘Spicey’ ballad, it’s lovely to hear all our voices again, I love doing that kind of stuff.’

Mel also comes out in support of troubled Britney Spears. ‘Poor Britney, I feel bad for her. She used to be looked after. Obviously she’s not happy, she really needs someone to step in.’

And she also reveals she’s been round to the Princes’ for tea; ‘I met them a while ago. We [the Spice Girls] were invited to Highgrove for high tea. Some of us didn’t like cucumber sandwiches and we made this known to our hosts, and we were made peanut-butter on toast by Prince William (but) the kitchen was rubbish, like MFI!’ she said.

Graham is also joined by Hollywood royalty JOSH HARTNETT whose latest blockbuster 30 Days of Night is released in the UK next week; and RUFUS WAINWRIGHT performs his new single Tiergarten live in the studio.

Watch the interview clip (iTunes required).

The Graham Norton Show is a So Television production for BBC TWO.

Dark Matter

Clym Dodds, a friend whom I met as an undergraduate at Bournemouth University and worked on December Duet (1996), wrote to me to announce that Darker Projects' latest audio drama, in association with Infected Books, is now available online!

Autumn, by David Moody, is a vision of apocalyptic horror.

Autumn Trailer (MP3)

A Word from the Composer

I have been a tremendous fan of Zombie "culture" ever since experiencing Romero's Dead series. I can remember a friend's reaction of horror when he learned I had not seen Dawn of the Dead – at the time I was a little cynical and naive about the whole thing – I didn't understand what the big deal was. "You have to f***ing see it!" he exclaimed violently. That night we put on the film and around the point of the Monroeville Mall and that line "This was an important place in their lives. " I was laughing with delight, but I also felt the abject horror creeping up on me. This WAS a delicious sort of existential nightmare emerging. There were (perhaps obvious in retrospect) wonderful societal commentaries as well – the idea of a consumer culture, gobbling up everything and everyone in it's path; our collective fear in discussing or really dealing with the idea of our own mortality, and unprepared and unable to let go of the ones we lose (you're going to have to let go, or they're going come and eat you!); I realized after the film that Dawn of the Dead was not a film for gore hounds, it was a film for intellectuals. Intellectuals unafraid of facing a slightly more morbid subject matter. And, of course, intellectuals with a dark sense of humor.

David Moody's 'Autumn' feels born from the same womb. It hearkens back to the intellectual horror old school - his book had me imagining in black and white movies (pictures like Night Tide, Carnival of Souls, and of course Night of the Living...) with atmosphere and subtext, less gore and more subtly building sensations of isolation and that skin-crawling, existential type of fear. I attempted to convey these qualities in the musical score, along with a few healthy doses of schlock horror music fun!

I must also mention the level of freedom and support provided by Paul Mannering and his Darker Projects team. It's lovely to be involved in something so close to the (now virtually obsolete) genre of Radio Drama - Bernard Herrmann's work for Orson Welles' Mercury Theater productions are personal favorites of mine. And I just love hearing people being operatic and theatrical without any distracting images or CGI effects to get in the way.

Devin Anderson
March, 2007

You can listen to the full episode over at Darker Projects and download the free eBook at Infected Books. Darker Projects audio dramas compare favourably with Dirk Maggs' productions and I can't recommend them highly enough! But, then again I'm biased!

All Good Things

This blog started in May 2004 when The OC debuted on UK television screens. Starved of Roswell, Buffy and Dawson's Creek. Orange County provided plenty of laughs, thrills and geeky amusement! Seth's comic book obsession and penchant for perky brunettes parallels my own!

No sooner am I up-to-date with Apple Inc kit; as depicted in The OC. The OC ends! Hot damn!



It's time to say goodbye to the first family of Orange County. In Season Four, high school seems like a distant memory for the young graduates, who have been thrust into adulthood after the death of their beloved friend Marissa. The Cohens struggle to keep Ryan focused on the future, fighting the forces that threaten to pull him back into his old life. Having left Orange County, Summer attends Brown University in Rhode Island, where she has reinvented herself as a left-leaning, tree-hugging activist. And, lonely in Orange County, Seth works at a local comic book store.

So long Sandy, Seth, Summer and co. It was fun and I'll miss seeing you on my Sony Plasma! Perhaps The Real OC will show up on Joost™ as part of the Viacom deal?

Requiem of December

Last week The Power of Love (performed by Frankie Goes To Hollywood) was on heavy radio rotation. The song was officially licensed for use during the end titles of December Duet, my 1996 video major project at Bournemouth University, and it's only appropriate to repost the following audio clips for those who may have missed them the first time around:



Opening narration (performed by Bob Sessions) (MP3)
Soundtrack suite Part 1 (MP3)
Soundtrack suite Part 2 (MP3)

Those of you with a keen ear will hear fragments of The Power of Love, arguably one of the greatest ballads ever written, interpolated in Part 1! It's worth noting that this was more an act of serendipity than calculated design! The composers were unaware that I had elected to use a commercial pop song; an oversight that I never intend to repeat.

The source material is taken from TDK SA (Type II) cassette tape (Dolby HX PRO B NR) and is subject to the inherent limitations of the medium i.e. reduced fidelity.

Silver Nemesis

For me Kit Pedler and Gerry Davis' creation is second only to Darth Vader. The new droid-like Cybermen are instantly recognizable. The official BBC website welcomes visitors with a metallic klaxon. I can already hear the Earthshock score composed by the late Malcolm Clarke!



Will David Banks (Cyber Leader) and Mark Hardy (Cyber Lieutenant) once again be entombed in cyber armor? Rumor has it that this tale will hark back to the Patrick Troughton era.

The Snowman is an original story idea featuring a solitary Cyberman (see Marvel comics Doctor Who Issues 58-59 Junk-Yard Demon) whom is discovered, deactivated, in the grounds of a country house estate. I had intended producing an audio drama (Bournemouth University 1994) and am considering whether or not to release it as a podcast in the New Year.

My copy of Madonna's Confessions On A Dancefloor has arrived! As I listened to the new album for the first time, I was editing lines of html code and optimizing the blog template! The review will be published next week.

Requiem for a Dream

Growing up my aspirations diverged from "learning the ways of the force" and time traveling to video game author and Grammy-winning performances. Yet the desire to act and perform overarched everything.

In 1983 I was selected to audition (along with other hopefuls from around the South West region) for a place at a prestigious acting school. Due to very poor planning, on the part of my school, the day turned into an unmitigated disaster and the schedule went askew. Our audition piece, performed at Exeter's Northcott Theatre, would have been savaged by Simon Cowell and Paula Abdul! I had prepared a solo set reciting HG Wells' The War of the Worlds and instead was instructed to mimic a tree. A conciliatory weekend placement was offered to selected students who showed promise - one of whom had the propensity to burst into tears when they'd forgotten their lines. I felt slighted, but nothing that a new Star Wars Return of the Jedi action figure couldn't fix! Biker Scout, I salute you.

During High School, under the aegis of Mr Burton (no relation of Richard or Tim), my passion for drama class flourished. Regrettably, he decided to change schools and his successor drove out any sense of enjoyment and I dropped out. A few years later my Dad would meet Mr Burton, in Torbay, who had assumed that I had continued with acting. And learnt that this was not the case.

In 1990 whilst at College I formed a Pop/R&B band - Def Track - as part of a Media Studies project concerning the music industry. During the coach ride to and from London's V&A (I was also studying A-Level Fine Art) I co-wrote "Don't Judge A Book By Its Cover". We recorded the song, promo video and prepared marketing materials (using MacDraw) ourselves. At the suggestion of our Media Studies tutor I wrote further songs for a possible EP (for submission to local radio stations). However, during the summer my work was stolen or mislaid and there was no backup other than a skeletal arrangement stored on an Amiga A500.

I acted in a University studio project (1993) and was required to show a complete lack of interest in the main protagonist. This wasn't too difficult a leap as I found the person, in question, unpalateable at best. It was noted that my performance was very effective and made ingenious use of a newspaper (a metaphor for the barriers in our relationship)!

My claim to fame is as a background extra on BBC Radio Four's The Gemini Apes (1998). However, acting has not lost any of its allure and one day I'm hoping for a reprise.

Desktop Arcade

The Atari® Flashback™ Classic Game Console has been announced for the holiday season. My earliest memory of owning a games console was the Atari VCS 2600 (introduced in 1977 and distributed in the UK by Ingersoll Electronics). It was an unwanted holiday gift for a cousin. So, my Uncle graciously gave it to me on my Birthday (mint in box)! This was alongside Darth Vader’s TIE Fighter, which has a connection other than purely nostalgia!

After only a few minutes playing Space Invaders, Frogger and The Empire Strikes Back (you see there was a connection) I was hooked! For the next two decades I owned a Spectrum 48K, Commodore 64, Sega Mega Drive (Genesis) and Dreamcast, Atari Lynx, SNES and N64, PSOne and PStwo, and XBOX.



The thread that binded these machines together was the relentless pursuit to acquire games that were arcade perfect. Sega's Mega Drive produced an excellent conversion of Michael Jackson's Moonwalker. Yet this was a flawed premise in that a conversion, by definition, is anything but (not to diminish the fun that was had). However, the Dreamcast console was based on the NAOMI (New Arcade Operation Machine Idea) PCB that powered Sega’s coin-ops, which culminated in near-definitive releases Crazy Taxi and Dead or Alive 2.



The first time I heard about MAME (Multiple Arcade Machine Emulator) was from a former coworker (2001). MAME was started in 1996 by Nicola Salmoria as a means of archiving, and by extension preserving, arcade games that would otherwise disappear forever. For example Star Trek (1983), which is a very rare Sega vector game featuring the voices of the principal cast. Also it allows gamers to experience titles that they may never have otherwise played such as the Japanese-only Gaiapolis, replete with gorgeous graphics, and quirky horizontal shooter Parodius and its sequels, both from Konami.



Unlike music or film, arcade hardware is expensive and therefore it’s commercially prohibitive to continue production runs over an extended period of time. As a pleasant side effect, one can play game ROMs (dumped from arcade Printed Circuit Boards using an EPROM reader) under software emulation! The notion of playing the original Gauntlet, After Burner II, Out Run and many others was mouthwatering!



In what can only be described as an act of serendipity, earlier this year I wrote a review of Jedi Academy (for Inside Mac Games) and discovered that Aspyr programmer, and fellow Star Wars fan, Brad Oliver was the author of MacMAME! Subsequently, I downloaded 0.77u2a and my ROM searching odyssey began in earnest.



With the release of 0.87, MacMAME has been extensively rewritten and further optimized to be a better Mac OS X citizen. Sporting many enhancements including preliminary support for Sega's Model 1 PCB (i.e seminal releases Virtua Fighter and Star Wars Arcade) and the removal of legacy code. This release requires Mac OS X 10.2 (or higher).



It is worth noting that the legal ownership of ROM images (for the purpose of backup) may be contingent on possessing the original arcade game. However, it is not clear if it is legal for an individual to have ROM images (even if not for profit) for a game they don't own. Please read legal implications on MAME rom usage from Northwestern University Law School before downloading any roms to ensure legal compliance. Do not ask me how ROMs can be obtained. Some ROM images, such as Atari's, are available for legal purchase here.

Disney's demographic channel

Reuters, my first employer following graduation from Bournemouth University, announced that the Mouse House is to soft launch the ABC brand on Freeview!



ABC1 bows in September. Launch lineup includes Once and Again, new Thirtysomething and Geena Davis Show. Bring on Alias series 4.

Deep Sea Titan

My close friend, Doctor Michael Williams, recently brought to my attention that über director James Cameron recently received an honorary degree from Southampton University. You can read the press release here.

It's so disappointing that, following Titanic, aside from a brief flirtation with television in the dusky-tressed Dark Angel, James Cameron has embarked on a documentary-obsessed odyssey to the detriment of his mainstream movie making! Aside from an alleged extended 5-hour cut of Titanic (destined for future DVD release), and perhaps further revisiting of earlier entries in his cinematic oeuvre, that next movie appears to be elusive. Of course, with the exception of Piranha II: Flying Killers, I wonder if his next film will also be another romance? A romance between director and medium! This fan is waiting. So, in the words of Vasquez "Lets Rock".

You may wish to read Cameron's original treatment for the aborted Spider-Man movie here.

Point and click cinema

In the late '80s I cut my audio/video editing teeth on linear equipment i.e. three machine edit suites for video and 1/4 tape (chalk and cutting knife in hand) for audio. The mid 90's witnessed the advent, and rapid development, of non-linear, non-destructive workflows. It occurred to me that since that time all my editing has been Mac-based! In 2003 I revisited my production analysis written for December Duet (an original drama made during my final year at Bournemouth University). It is available as a PDF download.

Since the unveiling of Dashboard at the WWDC 2004 a debate has raged concerning Apple's alleged 'rip off' of Konfabulator. The following blog outlines the historical development of widgets, which found its genesis on the Mac platform many years ago.

Top Cat

Next week heralds Apple's WWDC 2004 (Worldwide Developers Conference). A preview edition of Mac OS X 10.4 Tiger will be unveiled (alongside new hardware including a headless G5 iMac and 4G iPod if pundits are correct).

Where does that leave Mac OS X 10.3 Panther? I can only hope that Apple continues to support Panther (perhaps as far as .8) until Tiger is 'good and ready' to hit the streets. A 4G iPod would also be the perfect time to release the illusive "Home on iPod" update. iCal, iSync and Keynote are in dire need of updating too.

In the spirit of WWDC my Apple-owning history goes like this:

*1995 - Performa 5200 (bought by my parents whilst I was at University and donated to an Uncle)
*1999 - iMac DV SE (purchased whilst working at Dow Jones Reuters and sold to Tom)
*2002 - iMac LCD/JBL Creature speakers (when it hits the resell market Tom gets first refusal)
*2003 - iPod 3G

No doubt the next iteration of OS X will shepherd in an abundance of technological improvements alongside a new version of Safari et al. Tiger is rumoured for release to retail in Q1 2005. Here's to a successful WWDC that looks to the future, but not at the expense of the here and now. My credit card is primed and ready.

My Sennheiser PMX60 order arrived today. After breaking them in, over the weekend, I'll post my observations.